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Ile de Vancouver

The story behind this shot - L’histoire derrière l’image

The story behind this shot

When we discover a new region, we have the advantage of observing the environment with more intensity and curiosity than locals. I took this picture during my first winter in the Comox Valley, a very long time ago. As a newcomer, I was mesmerized by the beauty of the estuary with the snow-capped mountains in the background and the high concentration of birds and marine mammals in that area. I thought the place had a lot of potential for nature photography. However the estuary is located in the heart of the town therefore it is surrounded by buildings and busy roads and I did not want them to appear in my shot. So I waited for a winter morning with some thick fog, which made the buildings disappear, and also created a beautiful atmospheric view. The sun was still below the horizon and the light was constantly changing so I quickly set up my camera and took this image.

Canon EOS 70D f/4.5, 1/400 second , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, focal length: 35 mm

Fog in the Comox Valley

Fog in the Comox Valley

L’histoire derrière l’image

Lorsque nous découvrons une nouvelle région, nous avons l’avantage d’observer l’environnement avec plus d’intensité et de curiosité que les habitants. J’ai pris cette photo lors de mon premier hiver dans la Vallée de Comox, il y a très longtemps. En tant que nouvel arrivant, j’étais subjuguée par la beauté de l’estuaire avec la chaîne de montagnes aux sommets enneigés en arrière-plan et l’importante concentration d’oiseaux et de mammifères marins à cet endroit. Le lieu offrait beaucoup de potentiel pour la photographie de nature. Toutefois, l’estuaire est situé au coeur de l’agglomération donc il est entouré d’habitations et de routes que je ne souhaitais pas avoir sur la photo. J’ai donc attendu un matin d’hiver avec un épais brouillard qui cachait les maisons mais qui créait aussi une belle atmosphère. Le soleil était encore sous l’horizon et la lumière changeait constamment, j’ai donc rapidement effectué mes réglages et j’ai pris cette photo.

Canon EOS 70D f/4.5, 1/400 seconde , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, longueur focale : 35 mm

Nature Photo Exhibition in Vancouver

I am happy to announce that my artwork will be exhibited at the Centre culturel francophone in Vancouver, from 21 January to 4 March 2021. This is a great opportunity to see my photographs in big format and get a better appreciation of my work as a nature and wildlife photographer. During your visit, you will see intimate portraits of fauna and flora, and wild landscapes of the West Coast. Details here.

The ban on events in British Columbia has been extended until 5 February at midnight, which means I won’t be giving workshops for the moment. In the meantime, if you are looking for inspiration and photo tips, I invite you to order a signed copy of my book Vancouver Island Wildlife, a Photo Journey.

Once workshops resume, only local residents will be able to sign up since non-essential travel is not recommended at this time in British Columbia.

Follow me on Twitter for the latest news, images and photo tips!

Wishing you all the best in 2021!

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Vancouver Island Wildlife, A Photo Journey - Book Release on 5 October

I am proud to announce the release of my book Vancouver Island Wildlife, A Photo Journey. I hope it offers a good perspective on a unique region, on the west coast of Canada.

Over the last year, I travelled by foot, snowshoes, floatplane and boat to photograph some of the charismatic wildlife that frequents or lives on Vancouver Island. For this project, my challenge was to take candid shots of elusive species, such as the Roosevelt elk (Cervus elaphus roosevelti). I remember looking for them in Strathcona park in snowshoes, stepping over their tracks, and finally, months later, finding a herd of females caring for their young.

On Vancouver Island, many species are of special concern, threatened or endangered like the Vancouver Island marmot (Marmota vancouverensis). Given the fact that there is only a few marmots in the wild, the same size as a domestic cat, and dark brown in colour, it is quite rare to spot them in the alpine regions. However, I was able to photograph marmots at Mount Washington.

My goal was also to photograph the fragile ecosystems where these animals live to raise awareness about our collective responsibility in the sustainable development of this amazing part of the world, as well as its preservation and restoration for future generations.

I hope that you will enjoy this journey in the heart of Vancouver Island wilderness.

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Je suis fière de vous annoncer la parution de mon livre Vancouver Island Wildlife, A Photo Journey. Un livre qui, j’espère, ouvrira une fenêtre sur une région unique de la côte ouest du Canada.

Au cours de la dernière année, j’ai voyagé à pied, en raquettes, en hydravion et par bateau afin de photographier quelques uns des animaux charismatiques qui peuplent ou fréquentent l’Île de Vancouver. Pour ce livre, je m’étais lancé le défi de capturer des moments candides chez des espèces élusives, comme le wapiti de Roosevelt (Cervus elaphus roosevelti). Je me souviens l’avoir pisté en raquettes dans le parc Strathcona, avoir marché dans ses pas pour enfin, des mois plus tard, tomber sur une harde de femelles en train d’allaiter leurs petits.

Sur l’Île de Vancouver, bien des espèces sont en situation préoccupante, menacées ou bien en voie de disparition comme la marmotte de l’Île de Vancouver (Marmota vancouverensis). Son petit nombre fait qu’il est très rare de la rencontrer sans compter qu’il est difficile de la repérer dans le paysage alpin car elle est de la grosseur d’un chat et de couleur brun foncé. Cependant j’ai pu la photographier au Mont Washington.

J’ai souhaité aussi photographier les fragiles écosystèmes dans lequel vivent ses animaux afin de nous rappeler notre responsabilité collective dans le développement durable de cette incroyable région du monde, ainsi que sa préservation et restauration pour les futures générations.

J’espère que vous apprécierez ce voyage au coeur du monde sauvage de l’Île de Vancouver.

Book Release: Vancouver Island Wildlife - A Photo Journey

As you all know, over the last year, I have been working hard to photograph interesting species that call Vancouver Island home, such as the elusive Roosevelt elk and the rare Vancouver Island marmot. The result is the creation of my book Vancouver Island Wildlife - A Photo Journey, which is being released in early October.

Divided into two sections, On the Coast and In the Forest, this photographic journey features over 150 stunning images of Vancouver Island’s biodiversity and wild landscapes. This books presents rare and candid moments featuring charismatic animals, such as the black bear, sea otter, Roosevelt elk, sea lion, bald eagle, and the rare Vancouver Island marmot as well as intimate portraits of flora species found in the rainforest and in subalpine meadows. Splendid images of moss-covered trees in autumn foliage complete this compilation of impressive photographs. Captioned with anecdotes, and conservation and photographic techniques information, this beautiful book invites you into a natural world with unique ecosystems, and is certain to capture the interest of photographers, travellers and nature-lovers.

Pre-order your signed copy today! Books are shipped worldwide.

An amazing photographic journey in the wilderness of Vancouver Island that presents compelling images of elusive wildlife, stunning landscapes and unique ecosystems.

Roosevelt elk on Vancouver Island

One of my best qualities is stubbornness but I prefer to call it determination. Last autumn, I was determined to photograph the Roosevelt elk in its natural habitat. As a wildlife photographer, I had envisioned some compositions, light conditions, behaviours, etc. In order to achieve my goal, I gathered information from different sources, tracked several herds all over the island, stepped in piles of dropping, snow-shooed in mountains and bush-walked with mosquitoes, but I kept on going because dreams do come true when you put the effort.

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Earlier this month, I found a herd of cows with calves in a field. Calves were feeding from their mothers. The light and the scenery were perfect. These are my first images, I intend to get more this summer for my upcoming photo book.

While wildlife photography is very rewarding (sometimes), I respect animals and their environment: I use a telephoto lens, I don’t harass animals and I don’t overstay. The last thing I want is to stress them, prevent them from feeding or losing precious energy while fleeing from a pesky photographer. I apply this rule to all animals and I hope you do too.

Remember that you can support my small business during these challenging times by getting gift cards, ordering prints online or signing up for a workshop if you live in British Columbia.

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Pacific Rim National Park Reserve

The Pacific Rim National Park Reserve located near Tofino is a popular destination for nature photographers, that’s why I prefer to go there later in the year because it’s less crowded and there is also a possibility of viewing winter storms. Although the weather was calm last week, waves from the Pacific were rolling up the shore in a beautiful display of green and blue tones. I saw a big group of Steller sea lions basking in the morning sun on a small island visible from the beach. I hiked a lot of deserted trails during my stay, which allowed me to immerse myself in my work without being distracted.

The Pacific Rim National Park Reserve is one of my favourite places on Vancouver Island for its natural beauty and unique character. If you’re ready to explore this incredible place, get in touch with me so we can arrange for a workshop.

Upcoming workshops

Photo Adventure in Yuquot, BC

I recently returned from Yuquot, a historic village located on Nootka Island, on the west coast of Vancouver Island. The land has been inhabited by indigenous peoples since time immemorial. In 1778, Captain James Cook became the first known European to land in the area. Colonization ensued with its lasting impact on local communities. Today Yuquot is a permanent home to a few people only.

I reached my destination by floatplane. Weather was poor and landing was not guaranteed but we made it safely. After dropping my bags at the rented cabin, I immediately headed out with my camera despite the heavy rain and wind. I wanted to explore the area and find potential photo opportunities in preparation for the next few days.

During my stay in Yuquot, I had the opportunity to witness sea otters feeding on sea urchins and a mink running along the shore. I was hoping to see more wildlife and photograph sea wolves (and black bears) but I didn’t see any signs, tracks or droppings. Although I had to sometimes work with hard light and I captured only a few images of what I had envisioned, I liked my adventure. I realized that I was well prepared for the challenging conditions such as starting a fire with soaked logs! I enjoyed the amazing ocean view from my rustic cabin, the sound of crashing waves at night and the floatplane journey over Muchalat inlet.

Autumn Vibes on Vancouver Island

Change of season can mean a change of subject for nature photographers. During the autumn on Vancouver Island, I turn my attention to local forests with deciduous trees like maple trees. They produce various shades of yellow, orange and red and are some of my favourite subjects to photograph at this time of year. I often return to the same woodlands several times during the season to capture the progression of the colour change. I visit these spots during the day, at night, and in various weather conditions: wind, fog, light rain or cloud covered. Each situation tells a different story.

When I walk in the forest, I look for patterns, shapes and texture. I look up, down, I lay on the ground, get on my knees, stand on boulders, as I look for a unique perspective on my subject. I like simple compositions. When I frame my subject, I make sure that they are no distracting elements and no lines leading the viewer’s eye out of the frame. Only then I press the shutter-release button.

I hope you find your own inspiration in the woods.

Triangle of exposure

Three elements constitute the triangle of exposure: aperture, shutter speed and ISO:

  • Aperture (f/N): light passing through the lens

  • Shutter speed: how long the shutter stays open

  • ISO: image sensor’s sensitivity to light

A small aperture (i.e. f/16) gives a deep depth of field and is usually used for landscape.

A fast shutter speed (i.e. 1/1000 sec) is used to freeze motion, like birds in flight or action shots. It also gives a shallow depth of field.

A slow shutter speed (i.e. 1/4 sec) is great for motion blur like milky water effect or rain streaks. Slow shutter speed is also used for night photography or poorly lit areas. In any case, a tripod is highly recommended for long exposures.

Before you adjust the aperture, shutter speed and ISO on your camera, you need to ask yourself: What effect do I wish to create? What is the mood of my image? What am I trying to tell?

Use the light meter in your camera to help you get the proper exposure. Light is measured in Exposure Value (EV) and typically displays in cameras from - 3 EV to + 3 EV

-3 _____ -2 _____ -1 _____ ∆ _____ 1 _____ 2 _____ 3

under exposed correct expo. over exposed

Once you’ve taken your shot, check the histogram and readjust your exposure if necessary.

Time to practice. Let me know how it goes!

Solo Exhibition at The Hub

If you’re in the Comox Valley in August, check out my solo exhibition at The Hub, 545 Duncan Ave, Courtenay, BC. I will be showing some of my best images in big format! 24 x 36 inches, the perfect size for that empty wall in your living-room or office.

I am also featured in the Comox Valley Record, page 19, issue of 30 July 2019.

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Composition

Composition can be daunting. The good news is you can learn about it and get better with time and practice!

When I’m in the field, I always look for interesting shapes, patterns, lines and texture. Once I find a potential subject, I evaluate the intensity of the light, its direction and the need to use filters or not. I identify distracting elements, determine my focal point and move around to find my composition. I establish the depth of field, what should be in focus and which lens to use. Then I set up my tripod, which is essential in order to get sharp images. After taking my shot, I check the histogram and the clarity of my image on the back screen. From there I can adjust my composition accordingly. I find that seeing my image on the small screen tells me right away if the composition is good or not.

I believe that a poor image cannot be fixed with a software so I prefer to take the time to compose my images while I am in the field. I also prefer to spend my time outside rather than in front of my computer!

If you’re ready to learn how to get better images, sign up for an upcoming workshop or ask for a private workshop.

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Get off Auto, create your best images this summer!

Just added 3 workshops in English and 3 in French, all in the Comox Valley, and on Saturdays afternoon.

  • Learn how to use your camera on manual mode

  • Learn about exposure, depth of field, focus, and key elements of composition

  • Use technical and creative elements together to improve your images

  • Get more confident with your camera and your skills

  • Get more one-on-one time by being part of a small group of 5 participants

  • Take your newly acquired knowledge to your next trip

Book now!

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What wildlife really does when humans are away...

First look around and make sure no-one else is here. And then roll in the moss!

River otter, Lontra canadensis

8 New Nature Photography Workshops on Vancouver Island

Spring has sprung and things are moving for Catherine Babault Photography!

An article about Catherine Babault Photography was published in the March edition of the magazine L’Entr’aînés, a monthly publication of l’Assemblée Francophone des retraités et des aînés de la Colombie-Britannique. You can read it here.

In April I had an interview on Radio Victoria to talk about my workshops and my passion for photography. Listen here.

Vancouver Island Nature Photography Workshops

Vancouver Island Nature Photography Workshops

Eight multi-day workshops have just been added for this summer: 4 in English and 4 in French. They will be given in the greater region of the Comox Valley, in a radius of 60 km. We will cover the art of composition, use of light, creativity and workflow. I will take participants to some of my favourite spots to photograph nature and wildlife. This should be fun!

Check for upcoming workshops and new fine art prints or follow me on Twitter for the latest news!

Herring Spawn on the coast of Vancouver Island

After weeks of anticipation, the Pacific herring has spawned in shallow waters along the coastline of the Salish sea. Birds, mammals and humans have been competing for it since the controversial fishery opened last week.

I witnessed wildlife feeding, and even fighting, for the little silver fish. They could do with some good fish to fatten them up before their offspring are born in the coming weeks. They will certainly need a lot of energy at that time. I also saw a courageous mink running back and forth to get herrings from the shoreline, while keeping an eye on eagles perched on tall trees. It was going so fast, I had a hard time to keep track of it with my big lens. The light was great for photography as the sky was overcast and it was very early in the morning.

Enjoy these few images and if you wish to see more, go to my portfolio or in my stock images.

8 reasons to take a photo workshop on Vancouver Island

+ discover a new place and take the time to create your best images…

Nature Photo Workshops on Saturdays

3-hour nature photo workshops now offered on Saturdays afternoon in the greater Comox Valley area, in English or in French, starting 2 February 2019. Limited to …

Hornby Island, rain or shine

Rain in the forecast? No problem! A few years ago I invested in a ThinkTank rain-cover for my camera and before that I used…

Pourquoi participer à un atelier photo ?

Je me souviens lorsque j’ai mis mon appareil photo en mode manuel pour la première fois lors d’un cours de photographie. Je me suis demandée si j’étais capable de faire les réglages moi-même et si …