When to use a polarizing filter

A polarizing filter is used to reduce reflections and glare from surfaces such as water or glass. Reflections are almost everywhere in nature: light bouncing off wet leaves or rocks surrounding waterfalls. In addition, a polarizing filter increases colour saturation, darken skies and reduces atmospheric haze.

The disadvantage of a polarizing filter is the loss of light that comes through your lens. I recommend a high quality circular polarizing filter to reduce the loss of light between 1 and 1.5 stop. You can compensate that loss by reducing the shutter speed, using a bigger aperture or increasing the ISO. Make sure that both your lens and polarizing filter are clean and free of dust.

These photos demonstrate what a polarizing filter can do when the light bounces off the surface of wet leaves. Note that I used a telephoto lens to isolate my subject and a short depth of field to blur the background.

Composing with light

Wildlife photographers are familiar with two unpredictable elements: wild animals' behaviour and light. On Vancouver Island it can rain, be foggy and sunny on the same day therefore the light varies all the time. No matter what type of light, harsh or soft, I have to adapt and be creative. Over the years, I have photographed black bears in all kinds of weather conditions and these are some photos to illustrate how I used the light.

Bright sunny day

Harsh light on a sunny day creates strong contrast between shadow and light. Details are lost in dark shadows and bright spots. Furthermore bright spots attract the eyes of the viewer so I take that into consideration when I frame my subject. Light can also bounce off shiny surfaces such as water and leaves, and for this reason I use a polarizing filter to suppress the glare.

Black bear on a sunny day. Photo taken with a polarizing filter.

Black bear on a bright sunrise. Photo taken without a polarizing filter.

Overcast day

Soft light on a cloudy day means less contrast between shadow and light. The viewer's eyes are attracted by the details in the fur of the black bear, its brown snout, its beady eyes and the scales of the fish. This is my prefered type of light.

Black bear on an overcast day.

Black bear with a salmon on an overcast day.

Shooting in thick fog

One morning, I found myself surrounded by black bears in thick fog. The only way to differentiate between rounded boulders and fatty black bears was when the large dark mass started to move. Instead of putting my camera down and waiting for the fog to dissipate, which could take a long time, I used the fog to capture the mood of that moment.

Black bear in thick fog.

Female black bear and her cub in thick fog.

Silhouettes

A backlit subject, or a dark subject against a bright background, can produce interesting silhouettes and create bold images. The subject really stands out.

Silhouette of a black bear walking on the shore.

Silhouette of a black bear eating a salmon in the sea.

No matter what type of light, there are ways to adapt and be creative.

How did I create this image

Camera: Canon EOS 5DS R

Lens: Canon EF100-400mm f/4.5-5.6L IS II USM, with a focal length at 400 mm

f/11, 1/80 second, ISO 1600

Participants to my photo workshops often ask me about my thought process when I shoot. In this case the first thing I noticed, while walking in the forest, were the red berries and green foliage. When we look at a photograph or a painting, our eyes are unconsciously attracted to elements in red in the overall composition. In addition, red and green are opposite to each other in the wheel of colour, they are complementary colours like blue and orange, and yellow and violet. The use of complementary colours in photography creates a bold image.

My next step consisted of framing my subject so I moved around it to find the best angle. Should I look down, look up, be at eye-level, where is the light coming from? I also took into consideration distracting elements such as bright areas, leading lines, branches, damaged foliage, etc. I chose a telephoto lens to isolate my subject and I used a tripod for stability. Next I thought about the mood of my image and determined the depth of field, aperture and shutter speed. I chose to underexpose by one full stop. I also used a polarizing filter to suppress the reflection of light on the shiny surface of the berries.

In conclusion, I prefer to take my time in the field than spending hours in front of my computer screen trying to fix my mistakes. Afterall I love nature much more than my computer!

If you would like to learn more about my photo workshops, please contact me. I will be more than happy to help you hone your skills in nature and wildlife photography.

Vancouver Island Photo Tours and Workshops for 2024

I have been giving photo tours and workshops on Vancouver Island since 2018 and had the pleasure to meet photographers of all levels from North America and Europe.

As a professional nature photographer, I spend a lot of time in the field all year round tracking and photographing the great variety of wildlife and landscapes in this unique part of the world. I know the best places and times for nature photography and I’d love to show them to you.

Private nature photography tours and workshops all year round

If you’d like to book a private tour or workshop on Vancouver Island, contact me, I’ll be more than happy to prepare an itinerary for you based on your interests and experience in photography. I organize private tours and workshops (half day, full day, and multiple days), in English and in French (I am fluent in both languages).

Upcoming photo workshops in the field in 2024

Herring Spawn - Daily photo tours during the herring spawn. This spectacular annual event attracts a lot of wildlife on the coast. If you are a keen wildlife photographer, this workshop is for you. We could see sea lions, seals, whales (from the coast), minks, river otters, many many bird species such as bald eagles and great blue herons. Limited to 5 people per day. Sign up early!

Spring on Vancouver Island - Spring is a time of migration for thousands of birds and mammals on the island. During this three-day workshop, we’ll visit the shoreline, estuaries and forests with moss-covered trees where we could see a variety of wildlife such as owls, bald eagles, beavers, black-tailed deers, seals, sea lions, river otters and many other species. Sign up today.

Summer on Vancouver Island - The long days of summer provide plenty of time to go outside and explore the coastal rainforests and shorelines of the island. Wildlife is busy caring for their offspring and protecting their territory in the lush rainforest and on the coast. Limited to 5 participants, sign up today.

Tofino, Vancouver Island - Join me for a unique photo workshop in Tofino, on the wild west coast of Vancouver Island. Explore the amazing landscape of the Pacific Northwest: old-growth forests, moss covered trees in the temperate rainforest, stunning bluffs, and sandy beaches. Limited to 5 participants. Sign up early.

Fall on Vancouver Island - Fall is an exciting time for photographers and wildlife. Many birds pass through the region on route to their winter grounds or make Vancouver Island their temporary home. The salmon returns to its native springs to spawn and black bears take advantage of it to fatten up for winter. Meanwhile deciduous trees in the lush forests turn yellow, orange and red to the delight of photographers. This is a popular workshop, sign up early.

Finding your composition

I used four different methods for these photos. When I find a subject, I take the time to think about how I want to represent it. Do I want to isolate it from its environment by using a short depth of field or by framing it closely or on the contrary do I want to place it in its environment with a wide depth of field and framing it in full? I also look for a unique composition.

Subject in its environment

Vertical format, use of a telephoto lens to isolate the subject and eliminate distracting elements like branches, the colour of the leaves pops against the brown bark of the trees and the light blue background makes it all stand out.

f/5.6 ISO1250 1/20 second

Horizontal format, use of a telephoto lens to isolate the subject, large depth of field, subject off centre, the subject stands out against the darker background and the yellow grass.

f/9 ISO3200 1/50 second

Close-up

Close-up to eliminate distracting elements and use of complementary colours (red and green) to create a bold effect.

f/9 ISO3200 1/50 second

Close-up to eliminate distracting elements and long exposure to blur the leaves and give the impression of movement.

f/18 ISO200 1/2 second

The best way to learn is to practice in the field with a professional. I invite you to register for my workshop Fall Colors on Vancouver Island from 12 to 15 October 2023. We will spend three days in the field, entirely dedicated to nature and wildlife photography. You’ll have my full attention by being part of a small group of 5 people. This is a popular workshop, sign up early!

Tours et ateliers de photographie sur l’île de Vancouver, Colombie-Britannique

Vous souhaitez en apprendre davantage sur les bases de la photographie de la nature ou simplement améliorer vos capacités. Mais avant tout, vous souhaitez vivre cette expérience en français.

Contactez-moi, je suis là pour vous !

Catherine en train de démontrer les consignes de sécurité en présence d’ours noir.

Je donne des tours et des ateliers de photographie de la nature, sur le terrain sur l’île de Vancouver, à l’année longue. Le français est ma langue maternelle alors je serais ravie de partager ma passion pour la photo avec vous dans cette langue.

En plus, vous avez des options : vous pouvez vous inscrire à un atelier déjà au calendrier ou bien demander un tour/atelier à une date de votre choix, que ce soit une demi-journée, une journée entière ou plusieurs jours.

Amenez votre partenaire ou un(e) ami(e) avec vous, explorez la superbe île de Vancouver avec votre appareil-photo en mains, découvrez sa faune charismatique et repartez avec vos plus belles photos et un savoir pour votre prochain voyage.

Contactez Catherine dès aujourd’hui !

Learn more about the depth of field

A narrow depth of field isolates the subject. It makes it stand out against a blurred background because the viewer’s eye is naturally attracted by a sharp subject. For this close-up of a deer, I opted for a telephoto lens (focal length of 400 mm) and a large aperture of f/5.6. Note that a fast shutter speed also narrows the depth of field.

Canon EOS 5DS R - Lens Canon EF 100-400 mm f/4.505.6L IS II USM

f/5.6 for 1/200 second and 1600 ISO, focal length 400 mm

A wide depth of field put the subject into context. The entire picture is sharp so the viewer tends to look at the subject in relation to its surroundings. Here I wanted to show the old-growth tree stump in relation to the forest and mountains in the background. So I opted for a wide-angle lens (focal length of 70 mm) and a smaller aperture of f/11.

Canon EOS 5DS R - Lens Canon EF 24-70 mm f/2.8L II USM

f/11 for 1/30 second and 400 ISO, focal length 70 mm

10% Discount on Tofino Photo Workshop, British Columbia

Until August 15, take advantage of a 10% discount on my Nature Photo Workshop in Tofino, British Columbia. Use promo code TOFINO2022 at checkout.

Places are limited so sign up early!

During the workshop, you will have the opportunity to photograph the amazing landscapes and charismatic wildlife around the Pacific Rim National Park Reserve, Ucluelet and Tofino.

Looking forward to showing you in person my favourite places for nature photography in this beautiful region of Vancouver Island!

New workshops for this summer!

Summer is an ideal time to reconnect with nature and hone your skills as a nature photographer. Join me for a unique photo workshop in beautiful Strathcona Park, on Vancouver Island, British Columbia, Canada.

I have added three new workshops on weekends for your convenience:

• Sunday, June 19

• Saturday, July 16

• Saturday, August 20

Limited to 5 participants. Sign up today!

Abstract Images, Photo Tip and Spring Workshop

Hello Yellow - Abstract image

Travelling is part of my life so, after more than two years on Vancouver Island, it was time to get out.

I always plan my adventures carefully: places to visit, subjects to photograph, routes, etc., which is why I travelled to Astoria, Oregon. I wanted to photograph an old rusty wagon, abandoned boats and buildings marked by the passage of time. My preparation and the time spent on site for this project gave results beyond my expectations. You can order prints here.

As I often mention during my workshops, it is important to take your time in the field: find your subject, think about your composition, adjust your camera properly according to the expected results (framing, depth of field, shutter speed, etc.) You will achieve better results than taking lots of photos hoping that one will be good enough and then trying to correct its flaws in post-processing.

This spring, reconnect with nature and sign up for a photo adventure for yourself or with a loved one, on Vancouver Island, British Columbia! Spring is an ideal time to travel: it’s an amazing palette of colours, the snow melt swells streams to form beautiful cascades, and animals are busy caring for their offsprings: very photogenic subjects. I invite you to register for my workshop from May 27 to 29, places are limited to 5 people.

Spot Distracting Elements

When I am on a photo excursion in the forest, the red-legged frog tends to appear when I least expect it. Their colour is an excellent form of camouflage. Often, it is their leap at my approach that catches my eye. During any chance encounter with an animal, it is sometimes difficult to predict their reaction: will they run away or stay put? That’s why my first reaction is to stop and anticipate their intentions. Then I started moving cautiously to avoid frightening them while I think about my composition and my distance from the animal.

Spot the distracting elements in this image.

I determine where the light is coming from and if there is a backlight. I identify elements such as a branch in front of the frog or any other shape or object that might distract the attention of the person looking at the photo. I move slowly and, once in position, I carefully deploy my tripod. A stressed frog will puff up its abdomen to deter predators. I therefore keep an eye on my subject to assess their level of comfort; if I notice that they are stressed, I leave even though I have not got a shot. The animal wellbeing is more important to me than my portfolio. Once the camera is mounted on the tripod, I adjust the settings and frame based on the intended result before releasing the shutter. Then I check the composition and histogram on the camera screen.

Because it is a chance encounter with a wild animal, everything happens very quickly and yet quietly so as not to stress it. Also I don’t overstay to avoid disturbing the animal in its routine.

Final result after I repositioned myself. Photo in full format.

Repérez les éléments distrayants

Lorsque je suis en excursion photo dans forêt, les grenouilles à cuisse rouge ont tendance à apparaître quand je m’y attends le moins. Leur couleur est une excellente forme de camouflage. Bien souvent, c’est leur saut à mon approche qui attire mon attention. Lors de toute rencontre fortuite avec un animal,  il est parfois difficile de prévoir leur réaction : vont-ils s’enfuir ou bien rester sur place ? C’est pourquoi ma première réaction est de m’arrêter et anticiper leurs intentions. Ensuite je bouge avec précaution pour éviter de les effrayer et je commence aussitôt à penser à ma composition et à ma distance par rapport à l’animal.

Cherchez les éléments distrayants sur cette photo.

Je détermine d’où vient la lumière et s’il y a un contre-jour. J’identifie des éléments comme une branche devant la grenouille ou tout autre forme ou objet qui pourrait distraire l’attention de la personne qui regardera la photo. Je me déplace doucement et, une fois en position, je déploie mon trépied lentement. Une grenouille stressée va gonfler son abdomen, c’est une façon de décourager les prédateurs. Je garde donc un oeil sur mon sujet pour évaluer son niveau de comfort; si je constate qu’elle est stressée, je pars même si je n’ai pas obtenu de photo. Le bien-être de l’animal est plus important pour moi que mon portfolio. Une fois l’appareil fixé sur le trépied, j’effectue les réglages et cadre en fonction du résultat visé avant de déclencher l’obturateur. Puis je vérifie la composition et l’histogramme sur l’écran de l’appareil photo.

Comme il s’agit d’une rencontre fortuite avec un animal sauvage, tout se passe très rapidement et cependant tranquillement pour ne pas le stresser. J’évite aussi de rester trop longtemps pour ne pas déranger l’animal dans sa routine.

Résultat final après m’être repositionnée. Photo en plein format.

Learn more about the triangle of exposure

Long exposure, wide depth of field: f/11 for 1/8 second, ISO200

The word photography comes from the ancient Greek: photos (light). Understanding and mastering exposure is therefore essential in the art of photography. The shutter speed, the (diaphragm) aperture and the ISO are the three elements, which form the triangle of exposure.

The shutter speed is determined by how long the shutter stays open. The sensor in digital cameras will capture more light when the shutter stays open longer. A slow shutter speed (for example 1/10 second) can be used in low-light environment or to create a motion blur (waterfalls, rain streaks) while a fast shutter speed (for example 1/1000 second) is used to freeze a movement like a bird in flight.

Fast exposure, short depth of field: f/5.6 for 1/800 second, ISO1250

The aperture (f/N) is short for diaphragm aperture. A small aperture like f/22 does not allow a lot of light to pass through the lens, however it provides a wide depth of field and is commonly used in landscape photography. A big aperture like f/5.6 lets more light pass through the lens and it also provides a narrow or short depth of field.

The ISO is related to the film sensitivity to light or image sensor’s sensitivity to light on digital cameras. On a sunny day, photographers typically use a low ISO (100) but in low-light situation (overcast day, night), they increase the ISO. Note that a high ISO (3,200 or more) will create noise in your image (grainy veil).

Nature Photography Workshops on Vancouver Island, British Columbia, in 2022

Whether you are already on Vancouver Island or planning to visit this year, here is a list of my photo workshops in 2022:

• 29 January - Strathcona Park

• 26 February - Strathcona Park

• 21-23 March - Herring Spawn on Vancouver Island

• 27-29 May - Spring on Vancouver Island

• 19-23 September - Tofino (in French only)

• 3-7 October - Tofino

• 13-16 October - Fall Colours on Vancouver Island

• Half-day photo workshop, Comox Valley (in English only) : 14 May, 11 June, 9 July, 13 August

• Half-day photo workshop, Comox Valley (in French only) : 7 May, 4 June, 2 July, 6 August

If you prefer, you can request a private workshop that ranges from one day to several days. Book early as I am already starting to get requests for this summer.

I look forward to showing you my favourite places on Vancouver Island for nature photography and helping you improve your photography skills!

Photographing Roosevelt Elk

Some species are more active than others at dusk like the Roosevelt elk. It means that I have to get up in the middle of the night to photograph them because the herd that I became familiar with lives several hours away from my town.

I have been photographing this herd for the past few years and I always anticipate our potential encounters. Nothing is guaranteed with wildlife. They might not show up or I might have to quietly wait for hours.

I have a favourite spot to photograph this herd of elk from a safe distance and with a clear view. During a recent visit, as I was walking towards that spot, I noticed that the herd was already heading in that direction. I had to walk faster, yet quietly, without them noticing my presence. I got there first, set up my tripod and camera and waited a few minutes. I could hear them moving in the woods and stepping on dry sticks. When they came out of the woods, the cows were the first to go across the river surrounding the calves, most likely to protect them from potential predators. The last one to appear, closing the march, was the buck with its majestic set of antlers. I had only five minutes to photograph them before they disappeared again from my view and I cherished every minute.

Each time I see this herd, I feel very privileged to witness important milestones in their lives, to see the cows pregnant or suckling their calves, to observe yearlings playfully chasing each other or to see the buck proudly walking around its harem of a dozen cows. With the start of the rut, I look forward to getting more behavioural shots particularly of the buck.

Photographier les wapitis de Roosevelt

Certaines espèces sont plus actives que d’autres aux aurores comme le wapiti de Roosevelt. Ce qui veut dire que je dois me lever en plein milieu de la nuit pour aller les photographier car la harde que je connais bien vit à plusieurs heures de route de chez moi.

Je photographie cette harde depuis les dernières années et j’anticipe toujours beaucoup nos rencontres potentielles. Rien n’est jamais donné avec la faune. Parfois ils ne se montrent pas ou bien je dois attendre tranquillement pendant des heures.

J’ai un lieu préféré pour photographier cette harde de wapiti à partir d’une distance respectueuse et d’un point de vue dégagé. Au cours d’une récente visite, alors que je marchais vers ce lieu, j’ai remarqué que la harde se rendait déjà dans cette direction. J’ai donc commencé à marcher plus vite, mais silencieusement, afin que les wapitis ne remarquent pas ma présence. Je suis arrivée la première, j’ai mis mon trépied en place, effectué les réglages sur mon appareil photo et j’ai attendu quelques minutes. Je pouvais les entendre se mouvoir dans la forêt et marcher sur des bouts de bois secs. Lorsqu’ils sont sortis de la forêt, les femelles ont traversé la rivière en premier tout en entourant les petits, probablement pour les protéger d’éventuels prédateurs. Le dernier à apparaître, pour fermer la marche, était le cerf avec ses bois majestueux. Je n’avais que cinq minutes pour les photographier avant qu’ils ne disparaissent à nouveau de ma vue et j’ai apprécié chaque minute.

À chaque fois que je vois cette harde, je me sens privilégiée d’être le témoin de moments importants dans leur vie, de voir les femelles enceintes ou allaiter leurs petits, d’observer les jeunes s’amuser à se pourchasser et de voir le cerf marcher fièrement autour de son harem d’une douzaine de femelles. Avec le début de la saison du rut, j’espère pouvoir être en mesure de photographier leur comportement notamment celui du cerf.

Photo Workshop in Tofino

If you fancy a trip to Tofino, I will be giving a workshop from 4 to 8 October (in English only). We will spend our days in the field either on the sandy beaches of the Pacific Rim or in the rainforest. The West Coast of Vancouver Island has so much to offer when it comes to stunning landscapes and wildlife. Places are limited to 5 persons. Sign up here!

Nature First

Ethics in Nature Photography

Most of us enjoy to be in nature for inspiration, sport activities or simply for our mental well-being. The great outdoors, the beauty of the landscapes and the chance encounters with the fauna allow us to find ourselves and take a breather. As a nature photographer, I much prefer to spend my time outdoors than in front of my computer. However, when I am in the field, I realize that I am in a world that does not belong to me. Here live plants and animals while I am only a visitor, and it is clear that each of our passages disturbs ecosystems, bubbles of life.

This is why I strive to reduce my impact on the environment by applying ethical principles in my profession as a photographer, even if it is sometimes to the detriment of the end result of my expeditions: what is essential for me is not to get the photo of the century but to respect nature. Patience and perseverance then become key factors in obtaining interesting photos, especially of the behaviour of wild animals in their natural environment.

When I had the privilege of photographing an elk nursing three calves, it was she who established the distance between us and determined the length of the encounter. When she quietly returned to the forest, I could have followed her for a personal purpose of getting more photographs, but I thought about the stress that would cause them. My calm and respectful attitude towards wildlife allows me to experience intimate moments like this one where everyone observes and assesses each other before continuing their activities. Only patience and determination give great results, in addition to the satisfaction of respecting nature.

La nature avant tout

L’éthique dans la photographie naturaliste

La plupart d’entre nous aimons être dans la nature pour y trouver de l’inspiration, pratiquer un sport ou tout simplement pour notre bien-être mental. Le grand air, la beauté des paysages et les rencontres fortuites avec des animaux nous permettent de nous retrouver et de souffler un peu. En tant que photographe naturaliste, je préfère nettement passer mon temps à l’extérieur que devant mon ordinateur. Cependant, lorsque je suis sur le terrain, je suis consciente d’être dans un monde qui ne m’appartient pas. Ici vivent des plantes et des animaux alors que je ne suis qu’un visiteur et il est clair que chacun de nos passages dérange des écosystèmes, des bulles de vie.

C’est pourquoi, je m’efforce de réduire mon impact sur l’environnement en appliquant des principes d’éthique dans mon métier de photographe, même si c’est parfois au détriment du résultat final de mes expéditions : ce qui est primordial pour moi n’est pas d’obtenir la photo du siècle mais bien de respecter la nature. La patience et la persévérance deviennent alors des facteurs clefs pour obtenir des photos intéressantes, notamment du comportement des animaux sauvages dans leur milieu naturel.

Lorsque j’ai eu le privilège de photographier une wapiti en train d’allaiter trois petits, c’est elle qui a établi la distance entre nous et qui a déterminé la durée de la rencontre. Lorsqu’elle est repartie tranquillement dans la forêt, j’aurai pu la suivre dans un but personnel, celui d’obtenir plus de photographies, mais j’ai pensé au stress que ça leur causerait. Mon attitude calme et respectueuse envers la faune me permet de vivre des moments intimes comme celui-ci où chacun s’observe, s’évalue avant de poursuivre ses activités. Seules la patience et la détermination donnent d’excellents résultats, en plus de la satisfaction de respecter la nature.

Nature Photo Workshops now open to Canadians across the country!

As of 1 July 2021, British Columbia is ready to welcome travellers from across Canada. For international visitors, the Canadian border remains closed for non-essential travel, including those who have been vaccinated.

Our nature photo workshops are given in the great outdoors only and we take all necessary precautions to ensure your safety during the pandemic. Masks are not required in the outdoors where the workshops are given, however we ask everyone attending the outdoor event to maintain a physical distance of 2 metres between one another, unless you reside together. We supply hand sanitation gel.

Please feel free to send us your questions and comments during this time of transition to normalcy.

Learn more about the nature photo workshops offered this summer.

Government of British Columbia guidelines: https://www2.gov.bc.ca/gov/content/covid-19/info/restrictions