Nature First

Ethics in Nature Photography

Most of us enjoy to be in nature for inspiration, sport activities or simply for our mental well-being. The great outdoors, the beauty of the landscapes and the chance encounters with the fauna allow us to find ourselves and take a breather. As a nature photographer, I much prefer to spend my time outdoors than in front of my computer. However, when I am in the field, I realize that I am in a world that does not belong to me. Here live plants and animals while I am only a visitor, and it is clear that each of our passages disturbs ecosystems, bubbles of life.

This is why I strive to reduce my impact on the environment by applying ethical principles in my profession as a photographer, even if it is sometimes to the detriment of the end result of my expeditions: what is essential for me is not to get the photo of the century but to respect nature. Patience and perseverance then become key factors in obtaining interesting photos, especially of the behaviour of wild animals in their natural environment.

When I had the privilege of photographing an elk nursing three calves, it was she who established the distance between us and determined the length of the encounter. When she quietly returned to the forest, I could have followed her for a personal purpose of getting more photographs, but I thought about the stress that would cause them. My calm and respectful attitude towards wildlife allows me to experience intimate moments like this one where everyone observes and assesses each other before continuing their activities. Only patience and determination give great results, in addition to the satisfaction of respecting nature.

Television Interview - Entrevue à la télévision

On 4 July, I had the pleasure of talking to Geneviève Murchison, host of the television program Connexion on Radio-Canada, about my passion for nature photography. What a great way to start the summer!

In case you missed it, you can watch it here. It’s in French and starts at the 17:00 mark.

Le 4 juillet, j’ai eu le plaisir de parler avec Geneviève Murchison, animatrice du programme de télévision Connexion sur Radio-Canada, de ma passion pour la photographie de nature. Quelle superbe façon de commencer l’été!

Si vous avez manqué l’émission, vous pouvez la revoir ici. Ça commence à la 17e minute.

The story behind these images - L'histoire derrière ces photos

Earlier this spring, I noticed a nest in a second-growth forest that had been slightly damaged by the wind and the rain this winter. I wondered if it was going to be restored and used again. When I returned to this location this week, I found the nest which seemed to be in better condition. Yet no bird was sitting on it. I walked away a bit and waited to see if a bird was coming in order to find out what type of bird it was.

Then a female yellow warbler appeared in a tree a few meters from the nest. My attention immediately fell on her and, without moving so as not to frighten her, I tried to photograph her through the leafy branches. Not getting satisfactory results, I ended up walking away. Then I wondered if this was a diversionary tactic on the part of the warbler. I was then about ten meters away and the foliage was obstructing the nest, but I saw a small yellow dot on it and, using my telephoto lens, I zoomed in to find the warbler was sitting on her nest.

Delighted with my discovery, I left because I did not want her to abandon her nest after being disturbed.

Plus tôt ce printemps, j’ai remarqué un nid dans une forêt de seconde venue qui avait été un peu endommagé par le vent et la pluie cet hiver. Je me suis demandée si il allait être restauré et utilisé à nouveau. Lorsque je suis retournée à cet endroit cette semaine, j’ai retrouvé le nid qui semblait en meilleure condition. Pourtant il n’y avait pas d’oiseau qui couvait. Je me suis éloignée un peu et j’ai attendu de voir si un oiseau allait venir afin de découvrir de quel type d’oiseau il s’agissait.

Puis une paruline jaune est apparue dans un arbre à quelques mètres du nid. Mon attention s’est aussitôt portée sur elle et, sans me déplacer pour ne pas l’effrayer, j’ai essayé de la photographier au travers des branches feuillues. N’obtenant pas de résultats satisfaisants, j’ai fini par m’éloigner. Puis je me suis demandée si il s’agissait d’une tactique de diversion de la part de la paruline. J’étais alors à une dizaine de mètres et le feuillage obstruait le nid mais j’ai distingué un petit point jaune dessus et, à l’aide de mon téléobjectif, j’ai zoomé pour découvrir que la paruline couvait son nid.

Ravie de ma découverte, je suis partie car je ne voulais surtout pas qu’elle abandonne son nid après avoir été dérangée.

Photo Workshops during the COVID-19 Pandemic - Ateliers photo pendant la pandémie de COVID-19

All the workshops are given in small groups (5 participants max) and in the outdoors so you are less likely to get or spread COVID-19. You can either join an already scheduled workshop or ask for a private workshop for yourself or as members of the same bubble at no extra cost. We offer half-day, weekend and multi-day workshops all year-round. Feel free to contact us for details.

During the pandemic, we take all necessary precautions to ensure your safety. We ask everyone attending the outdoor event to maintain a physical distance of 2 metres between one another, unless you reside together. We recommend the use of a mask and we supply hand sanitation gel.

The day prior to the start of the workshop, you will be asked whether you have symptoms of COVID-19, have been in close contact with someone who has confirmed or suspected COVID-19. If you have any symptoms of COVID-19 prior to the workshop, please inform us immediately; we will reschedule you for another workshop once you have fully recovered.

Below are the current travel restrictions for Vancouver Island, BC:

• Vancouver Island residents are allowed to travel within the Vancouver Island Health region for recreational purposes.

• For British Columbians, travel is allowed within your health zone. Non-essential travel between health zones continues to be restricted.

• For Canadians, all non-essential travel to BC must be avoided until further notice.

• For international visitors, the Canadian border remains closed for non-essential travel, including those who have been vaccinated.

For current travel information, visit https://www.hellobc.com/what-you-need-to-know/

Further details on the current orders can be found at: gov.bc.ca/COVID-19

Ateliers photo pendant la pandémie de COVID-19

Tous les ateliers sont donnés en petits groupes (5 participants max) et en plein air donc vous êtes moins susceptible d'attraper ou de propager le COVID-19. Vous pouvez soit rejoindre un atelier déjà programmé, soit demander un atelier privé pour vous-même ou en tant que membre de la même bulle, et ce, sans frais supplémentaire. Nous proposons des ateliers d'une demie-journée, d'un week-end et de plusieurs jours tout au long de l'année. N'hésitez pas à nous contacter pour plus de détails.

Pendant la pandémie, nous prenons toutes les mesures nécessaires pour assurer votre sécurité. Nous demandons à tous ceux qui participent à l'événement en plein air de maintenir une distance physique de 2 mètres, à moins que vous ne viviez ensemble. Nous recommandons le port d'un masque et nous fournissons du gel désinfectant pour les mains.

La veille de l'atelier, nous vous demanderons si vous avez des symptômes de COVID-19 et si vous avez été en contact étroit avec un cas confirmé ou suspecté de COVID-19. Si vous avez des symptômes de COVID-19 avant le début l'atelier, veuillez nous en informer immédiatement ; nous vous reporterons votre inscription à un futur atelier lorsque vous serez complètement rétabli.

Vous trouverez ci-dessous les restrictions de voyage courantes pour l'île de Vancouver, en Colombie-Britannique :

• Les résidents de l'île de Vancouver sont autorisés à se déplacer dans la région sanitaire de l'île de Vancouver à des fins récréatives.

• Pour les Britanno-Colombiens, les déplacements sont autorisés dans votre zone sanitaire seulement. Les déplacements non essentiels entre les zones sanitaires continuent d'être limités.

• Pour les Canadiens, tout voyage non essentiel en Colombie-Britannique doit être évité jusqu'à nouvel ordre.

• Pour les visiteurs internationaux, la frontière canadienne reste fermée pour les déplacements non essentiels, y compris pour ceux qui ont été vaccinés.

Pour les dernières informations sur les voyages, visitez : https://www.hellobc.com/what-you-need-to-know/ (en anglais seulement)

Pour plus de détails sur les mesures en cours, visitez : gov.bc.ca/COVID-19 (en anglais seulement)

The story behind the image - L’histoire derrière l’image

Between 8,000 and 10,000 black bears inhabit Vancouver Island. The opportunities to meet one are high so it is better to learn more about the species. I recommend building a network of specialists such as conservation officers, biologists and knowledgeable local wildlife photographers. The best time of the year to observe bears is during the salmon return when bears converge to estuaries and rivers to fatten up on salmon before hibernation.

I took this image at a popular hatchery. In order to avoid the big crowds, I started early in the morning. It was technically challenging because the light was strong so there was a lot of contrast between the bright and dark areas. I used a telephoto lens to keep a safe distance and a polarizing filter to reduce the light reflection on the water and leaves. There may be long periods of time between bear appearances: some go straight back to the forest after getting a salmon, others laze around to the delight of photographers.

Entre 8 000 et 10 000 ours noirs vivent sur l’Île de Vancouver. Les opportunités d’en rencontrer un étant élevées, il vaut mieux en apprendre davantage sur l’espèce. Je suggère d’établir un réseau de spécialistes comme des officiers de la conservation, des biologistes et des photographes animaliers locaux bien informés. La meilleure période de l’année pour observer les ours est lors de la fraie du saumon lorsque les ours convergent vers les estuaires et les rivières pour s’engraisser de saumon avant l’hibernation.

J’ai pris cette photo dans une station d’alevinage de saumon populaire. Afin d’éviter la foule, j’ai commencé tôt le matin. C’était un vrai défi technique car la lumière était forte donc il y avait beaucoup de contraste entre les zones d’ombre et de lumière. Je me suis servie d’un téléobjectif pour garder une distance sécuritaire et j’ai utilisé un filtre polarisant pour réduire les reflets de la lumière sur la rivière et les feuilles. Il peut se passer de longues périodes de temps entre les apparitions des ours, certains retournent directement dans la forêt après avoir pris un saumon, d'autres se prélassent pour le plus grand plaisir des photographes.

The story behind this shot - L’histoire derrière l’image

The story behind this shot

When we discover a new region, we have the advantage of observing the environment with more intensity and curiosity than locals. I took this picture during my first winter in the Comox Valley, a very long time ago. As a newcomer, I was mesmerized by the beauty of the estuary with the snow-capped mountains in the background and the high concentration of birds and marine mammals in that area. I thought the place had a lot of potential for nature photography. However the estuary is located in the heart of the town therefore it is surrounded by buildings and busy roads and I did not want them to appear in my shot. So I waited for a winter morning with some thick fog, which made the buildings disappear, and also created a beautiful atmospheric view. The sun was still below the horizon and the light was constantly changing so I quickly set up my camera and took this image.

Canon EOS 70D f/4.5, 1/400 second , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, focal length: 35 mm

Fog in the Comox Valley

L’histoire derrière l’image

Lorsque nous découvrons une nouvelle région, nous avons l’avantage d’observer l’environnement avec plus d’intensité et de curiosité que les habitants. J’ai pris cette photo lors de mon premier hiver dans la Vallée de Comox, il y a très longtemps. En tant que nouvel arrivant, j’étais subjuguée par la beauté de l’estuaire avec la chaîne de montagnes aux sommets enneigés en arrière-plan et l’importante concentration d’oiseaux et de mammifères marins à cet endroit. Le lieu offrait beaucoup de potentiel pour la photographie de nature. Toutefois, l’estuaire est situé au coeur de l’agglomération donc il est entouré d’habitations et de routes que je ne souhaitais pas avoir sur la photo. J’ai donc attendu un matin d’hiver avec un épais brouillard qui cachait les maisons mais qui créait aussi une belle atmosphère. Le soleil était encore sous l’horizon et la lumière changeait constamment, j’ai donc rapidement effectué mes réglages et j’ai pris cette photo.

Canon EOS 70D f/4.5, 1/400 seconde , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, longueur focale : 35 mm

Vancouver Island Wildlife, A Photo Journey - Book Release on 5 October

I am proud to announce the release of my book Vancouver Island Wildlife, A Photo Journey. I hope it offers a good perspective on a unique region, on the west coast of Canada.

Over the last year, I travelled by foot, snowshoes, floatplane and boat to photograph some of the charismatic wildlife that frequents or lives on Vancouver Island. For this project, my challenge was to take candid shots of elusive species, such as the Roosevelt elk (Cervus elaphus roosevelti). I remember looking for them in Strathcona park in snowshoes, stepping over their tracks, and finally, months later, finding a herd of females caring for their young.

On Vancouver Island, many species are of special concern, threatened or endangered like the Vancouver Island marmot (Marmota vancouverensis). Given the fact that there is only a few marmots in the wild, the same size as a domestic cat, and dark brown in colour, it is quite rare to spot them in the alpine regions. However, I was able to photograph marmots at Mount Washington.

My goal was also to photograph the fragile ecosystems where these animals live to raise awareness about our collective responsibility in the sustainable development of this amazing part of the world, as well as its preservation and restoration for future generations.

I hope that you will enjoy this journey in the heart of Vancouver Island wilderness.

Je suis fière de vous annoncer la parution de mon livre Vancouver Island Wildlife, A Photo Journey. Un livre qui, j’espère, ouvrira une fenêtre sur une région unique de la côte ouest du Canada.

Au cours de la dernière année, j’ai voyagé à pied, en raquettes, en hydravion et par bateau afin de photographier quelques uns des animaux charismatiques qui peuplent ou fréquentent l’Île de Vancouver. Pour ce livre, je m’étais lancé le défi de capturer des moments candides chez des espèces élusives, comme le wapiti de Roosevelt (Cervus elaphus roosevelti). Je me souviens l’avoir pisté en raquettes dans le parc Strathcona, avoir marché dans ses pas pour enfin, des mois plus tard, tomber sur une harde de femelles en train d’allaiter leurs petits.

Sur l’Île de Vancouver, bien des espèces sont en situation préoccupante, menacées ou bien en voie de disparition comme la marmotte de l’Île de Vancouver (Marmota vancouverensis). Son petit nombre fait qu’il est très rare de la rencontrer sans compter qu’il est difficile de la repérer dans le paysage alpin car elle est de la grosseur d’un chat et de couleur brun foncé. Cependant j’ai pu la photographier au Mont Washington.

J’ai souhaité aussi photographier les fragiles écosystèmes dans lequel vivent ses animaux afin de nous rappeler notre responsabilité collective dans le développement durable de cette incroyable région du monde, ainsi que sa préservation et restauration pour les futures générations.

J’espère que vous apprécierez ce voyage au coeur du monde sauvage de l’Île de Vancouver.

Roosevelt elk on Vancouver Island

One of my best qualities is stubbornness but I prefer to call it determination. Last autumn, I was determined to photograph the Roosevelt elk in its natural habitat. As a wildlife photographer, I had envisioned some compositions, light conditions, behaviours, etc. In order to achieve my goal, I gathered information from different sources, tracked several herds all over the island, stepped in piles of dropping, snow-shooed in mountains and bush-walked with mosquitoes, but I kept on going because dreams do come true when you put the effort.

Earlier this month, I found a herd of cows with calves in a field. Calves were feeding from their mothers. The light and the scenery were perfect. These are my first images, I intend to get more this summer for my upcoming photo book.

While wildlife photography is very rewarding (sometimes), I respect animals and their environment: I use a telephoto lens, I don’t harass animals and I don’t overstay. The last thing I want is to stress them, prevent them from feeding or losing precious energy while fleeing from a pesky photographer. I apply this rule to all animals and I hope you do too.

Remember that you can support my small business during these challenging times by getting gift cards, ordering prints online or signing up for a workshop if you live in British Columbia.

Stuck at home

The pandemic triggered unexpected reactions in some people like stockpiling on food and, for some obscure reason, toilet paper. Having fun outside our home has been restricted. After days spent locked in, the concept of time has been altered. We are now finding ways to escape our new reality.

Pacific Rim National Park Reserve

The Pacific Rim National Park Reserve located near Tofino is a popular destination for nature photographers, that’s why I prefer to go there later in the year because it’s less crowded and there is also a possibility of viewing winter storms. Although the weather was calm last week, waves from the Pacific were rolling up the shore in a beautiful display of green and blue tones. I saw a big group of Steller sea lions basking in the morning sun on a small island visible from the beach. I hiked a lot of deserted trails during my stay, which allowed me to immerse myself in my work without being distracted.

The Pacific Rim National Park Reserve is one of my favourite places on Vancouver Island for its natural beauty and unique character. If you’re ready to explore this incredible place, get in touch with me so we can arrange for a workshop.

Upcoming workshops

How to take better images

No matter our level in photography, we all strive to become better at it. Once we get an amazing shot and recognition from our peers, we feel the pressure to surpass that image or, at least, maintain the same level of quality in our work. Here are a few basics to remember:

Find your subject

Ask yourself what makes you pick up your camera in the first place, what you’re interested in: puppies, bears, birds, people, derelict places…

Do your research

Find out more about your subject’s behaviour, the best times and places to photograph them. Study maps, wildlife life cycles, animal tracks and droppings, almanach, tides tables, local news… Explore your area on foot and note your observations. Determine the most favourable type of weather based on the intended mood of the image. Visualize your shot. Evaluate travel time to location and preparation time in the field. Keep all your notes in a notepad.

Know your camera

Make the most of your camera. No matter the (limited or extensive) range of settings, you have to know their function, location on the menu and how to quickly adjust them. Read the manual. That’s right, read the entire camera manual. The more you know about your camera, the most you’ll get out of it.

In the field

With all that knowledge in hands, you get to location, find your subject, frame it and press the shutter button. Next, check the strength of your composition, the sharpness of your image and verify the exposure on the histogram. It’s important to take your time in the field because mistakes cannot be fixed at home, even with the best photo editing program. An out-of-focus image is an out-of-focus image. A badly composed image will remain a badly composed image - forever.

Back at home

Once you display your images on a bigger screen, study them closely and judge their quality. What worked, what didn’t? Why? What can be improved? How? Find resources that can help you improve your techniques or artistic vision. The best way to progress is to learn from your mistakes and practice a lot. The more you practice, the better you’ll become, just like an athlete.

Be unique!

Get inspiration from your favourite photographers but avoid copying their style. Find your own voice. It’s okay to be different and not follow the latest trend. Your images will be more meaningful if they reflect your own vision and sensibility towards the subject.

Upcoming workshops

Photo Adventure in Yuquot, BC

I recently returned from Yuquot, a historic village located on Nootka Island, on the west coast of Vancouver Island. The land has been inhabited by indigenous peoples since time immemorial. In 1778, Captain James Cook became the first known European to land in the area. Colonization ensued with its lasting impact on local communities. Today Yuquot is a permanent home to a few people only.

I reached my destination by floatplane. Weather was poor and landing was not guaranteed but we made it safely. After dropping my bags at the rented cabin, I immediately headed out with my camera despite the heavy rain and wind. I wanted to explore the area and find potential photo opportunities in preparation for the next few days.

During my stay in Yuquot, I had the opportunity to witness sea otters feeding on sea urchins and a mink running along the shore. I was hoping to see more wildlife and photograph sea wolves (and black bears) but I didn’t see any signs, tracks or droppings. Although I had to sometimes work with hard light and I captured only a few images of what I had envisioned, I liked my adventure. I realized that I was well prepared for the challenging conditions such as starting a fire with soaked logs! I enjoyed the amazing ocean view from my rustic cabin, the sound of crashing waves at night and the floatplane journey over Muchalat inlet.

Autumn Vibes on Vancouver Island

Change of season can mean a change of subject for nature photographers. During the autumn on Vancouver Island, I turn my attention to local forests with deciduous trees like maple trees. They produce various shades of yellow, orange and red and are some of my favourite subjects to photograph at this time of year. I often return to the same woodlands several times during the season to capture the progression of the colour change. I visit these spots during the day, at night, and in various weather conditions: wind, fog, light rain or cloud covered. Each situation tells a different story.

When I walk in the forest, I look for patterns, shapes and texture. I look up, down, I lay on the ground, get on my knees, stand on boulders, as I look for a unique perspective on my subject. I like simple compositions. When I frame my subject, I make sure that they are no distracting elements and no lines leading the viewer’s eye out of the frame. Only then I press the shutter-release button.

I hope you find your own inspiration in the woods.

Composition

Composition can be daunting. The good news is you can learn about it and get better with time and practice!

When I’m in the field, I always look for interesting shapes, patterns, lines and texture. Once I find a potential subject, I evaluate the intensity of the light, its direction and the need to use filters or not. I identify distracting elements, determine my focal point and move around to find my composition. I establish the depth of field, what should be in focus and which lens to use. Then I set up my tripod, which is essential in order to get sharp images. After taking my shot, I check the histogram and the clarity of my image on the back screen. From there I can adjust my composition accordingly. I find that seeing my image on the small screen tells me right away if the composition is good or not.

I believe that a poor image cannot be fixed with a software so I prefer to take the time to compose my images while I am in the field. I also prefer to spend my time outside rather than in front of my computer!

If you’re ready to learn how to get better images, sign up for an upcoming workshop or ask for a private workshop.

Get off Auto, create your best images this summer!

Just added 3 workshops in English and 3 in French, all in the Comox Valley, and on Saturdays afternoon.

• Learn how to use your camera on manual mode

• Learn about exposure, depth of field, focus, and key elements of composition

• Use technical and creative elements together to improve your images

• Get more confident with your camera and your skills

• Get more one-on-one time by being part of a small group of 5 participants

• Take your newly acquired knowledge to your next trip

Book now!

What wildlife really does when humans are away...

First look around and make sure no-one else is here. And then roll in the moss!

River otter, Lontra canadensis

Nature Photography - Field Tips

It’s mating season and if you are into that kind of pictures then there are a few things to consider before heading out.

First you need to learn about your subject: mating call, mating ground, habitat, food source, droppings and even tracks. For bird photographers, there are several websites dedicated to bird songs. Start memorizing songs and calls, it will be easier for you to locate birds once you’re in the field.

Mating season on Vancouver Island, BC, Canada.

Find your subject’s resting or nesting area and return there very early in the morning. Wait for them to wake up and start their day. Did you know that some birds tend to face east in the morning to warm up in the sun? Leave plenty of space for your subject and observe them while they pursue their activities. With a good zoom lens, you’ll be able to capture their routine. Be patient! You might need to stand still in inclement weather or in an awkward position for a very long period of time before you get a rewarding image.

I hope you enjoy the awakening of nature as much as I do!

Herring Spawn on the coast of Vancouver Island

After weeks of anticipation, the Pacific herring has spawned in shallow waters along the coastline of the Salish sea. Birds, mammals and humans have been competing for it since the controversial fishery opened last week.

I witnessed wildlife feeding, and even fighting, for the little silver fish. They could do with some good fish to fatten them up before their offspring are born in the coming weeks. They will certainly need a lot of energy at that time. I also saw a courageous mink running back and forth to get herrings from the shoreline, while keeping an eye on eagles perched on tall trees. It was going so fast, I had a hard time to keep track of it with my big lens. The light was great for photography as the sky was overcast and it was very early in the morning.

Enjoy these few images and if you wish to see more, go to my portfolio or in my stock images.

Element of intention and element of chance

I always go in the field prepared and with intent. However my mind is also open for the unexpected.

One morning, I went to the Oyster River estuary with the intention to photograph ducks. I arrived very early in order to avoid the dog walkers, dogs being a major deterrent to wildlife observation and photography. The fog was starting to dissipate as I quietly entered the woods. Every few steps, I stopped, listened and looked for birds and other wildlife. That’s when I had the chance to spot a heron resting on a branch by the trail. The branch was low, which was perfect for an eye-level shot. I slowly approached the heron from the side, warning him of my presence. I quickly set up my camera and took a series of shots. I didn’t overstay because herons have a low tolerance level towards human presence and I didn’t want to disturb him any longer than necessary.

Heron on a branch, Oyster River

On that morning, although my intention was to photograph ducks in the estuary, I had the chance to observe a sleepy heron on a branch and come back with some great images. In nature photography, be prepared for lucky shots!