Photographing Roosevelt Elk

Some species are more active than others at dusk like the Roosevelt elk. It means that I have to get up in the middle of the night to photograph them because the herd that I became familiar with lives several hours away from my town.

I have been photographing this herd for the past few years and I always anticipate our potential encounters. Nothing is guaranteed with wildlife. They might not show up or I might have to quietly wait for hours.

I have a favourite spot to photograph this herd of elk from a safe distance and with a clear view. During a recent visit, as I was walking towards that spot, I noticed that the herd was already heading in that direction. I had to walk faster, yet quietly, without them noticing my presence. I got there first, set up my tripod and camera and waited a few minutes. I could hear them moving in the woods and stepping on dry sticks. When they came out of the woods, the cows were the first to go across the river surrounding the calves, most likely to protect them from potential predators. The last one to appear, closing the march, was the buck with its majestic set of antlers. I had only five minutes to photograph them before they disappeared again from my view and I cherished every minute.

Each time I see this herd, I feel very privileged to witness important milestones in their lives, to see the cows pregnant or suckling their calves, to observe yearlings playfully chasing each other or to see the buck proudly walking around its harem of a dozen cows. With the start of the rut, I look forward to getting more behavioural shots particularly of the buck.

Nature First

Ethics in Nature Photography

Most of us enjoy to be in nature for inspiration, sport activities or simply for our mental well-being. The great outdoors, the beauty of the landscapes and the chance encounters with the fauna allow us to find ourselves and take a breather. As a nature photographer, I much prefer to spend my time outdoors than in front of my computer. However, when I am in the field, I realize that I am in a world that does not belong to me. Here live plants and animals while I am only a visitor, and it is clear that each of our passages disturbs ecosystems, bubbles of life.

This is why I strive to reduce my impact on the environment by applying ethical principles in my profession as a photographer, even if it is sometimes to the detriment of the end result of my expeditions: what is essential for me is not to get the photo of the century but to respect nature. Patience and perseverance then become key factors in obtaining interesting photos, especially of the behaviour of wild animals in their natural environment.

When I had the privilege of photographing an elk nursing three calves, it was she who established the distance between us and determined the length of the encounter. When she quietly returned to the forest, I could have followed her for a personal purpose of getting more photographs, but I thought about the stress that would cause them. My calm and respectful attitude towards wildlife allows me to experience intimate moments like this one where everyone observes and assesses each other before continuing their activities. Only patience and determination give great results, in addition to the satisfaction of respecting nature.

La nature avant tout

L’éthique dans la photographie naturaliste

La plupart d’entre nous aimons être dans la nature pour y trouver de l’inspiration, pratiquer un sport ou tout simplement pour notre bien-être mental. Le grand air, la beauté des paysages et les rencontres fortuites avec des animaux nous permettent de nous retrouver et de souffler un peu. En tant que photographe naturaliste, je préfère nettement passer mon temps à l’extérieur que devant mon ordinateur. Cependant, lorsque je suis sur le terrain, je suis consciente d’être dans un monde qui ne m’appartient pas. Ici vivent des plantes et des animaux alors que je ne suis qu’un visiteur et il est clair que chacun de nos passages dérange des écosystèmes, des bulles de vie.

C’est pourquoi, je m’efforce de réduire mon impact sur l’environnement en appliquant des principes d’éthique dans mon métier de photographe, même si c’est parfois au détriment du résultat final de mes expéditions : ce qui est primordial pour moi n’est pas d’obtenir la photo du siècle mais bien de respecter la nature. La patience et la persévérance deviennent alors des facteurs clefs pour obtenir des photos intéressantes, notamment du comportement des animaux sauvages dans leur milieu naturel.

Lorsque j’ai eu le privilège de photographier une wapiti en train d’allaiter trois petits, c’est elle qui a établi la distance entre nous et qui a déterminé la durée de la rencontre. Lorsqu’elle est repartie tranquillement dans la forêt, j’aurai pu la suivre dans un but personnel, celui d’obtenir plus de photographies, mais j’ai pensé au stress que ça leur causerait. Mon attitude calme et respectueuse envers la faune me permet de vivre des moments intimes comme celui-ci où chacun s’observe, s’évalue avant de poursuivre ses activités. Seules la patience et la détermination donnent d’excellents résultats, en plus de la satisfaction de respecter la nature.

The story behind the image - L’histoire derrière l’image

Between 8,000 and 10,000 black bears inhabit Vancouver Island. The opportunities to meet one are high so it is better to learn more about the species. I recommend building a network of specialists such as conservation officers, biologists and knowledgeable local wildlife photographers. The best time of the year to observe bears is during the salmon return when bears converge to estuaries and rivers to fatten up on salmon before hibernation.

I took this image at a popular hatchery. In order to avoid the big crowds, I started early in the morning. It was technically challenging because the light was strong so there was a lot of contrast between the bright and dark areas. I used a telephoto lens to keep a safe distance and a polarizing filter to reduce the light reflection on the water and leaves. There may be long periods of time between bear appearances: some go straight back to the forest after getting a salmon, others laze around to the delight of photographers.

Entre 8 000 et 10 000 ours noirs vivent sur l’Île de Vancouver. Les opportunités d’en rencontrer un étant élevées, il vaut mieux en apprendre davantage sur l’espèce. Je suggère d’établir un réseau de spécialistes comme des officiers de la conservation, des biologistes et des photographes animaliers locaux bien informés. La meilleure période de l’année pour observer les ours est lors de la fraie du saumon lorsque les ours convergent vers les estuaires et les rivières pour s’engraisser de saumon avant l’hibernation.

J’ai pris cette photo dans une station d’alevinage de saumon populaire. Afin d’éviter la foule, j’ai commencé tôt le matin. C’était un vrai défi technique car la lumière était forte donc il y avait beaucoup de contraste entre les zones d’ombre et de lumière. Je me suis servie d’un téléobjectif pour garder une distance sécuritaire et j’ai utilisé un filtre polarisant pour réduire les reflets de la lumière sur la rivière et les feuilles. Il peut se passer de longues périodes de temps entre les apparitions des ours, certains retournent directement dans la forêt après avoir pris un saumon, d'autres se prélassent pour le plus grand plaisir des photographes.

Introducing Creative Nature Photography online course

I am happy to announce my two-part online course Creative Nature Photography (courses are available in English and in French). If you are looking to improve your creative skills, this is the course for you. Divided in two parts: Composition and Wildlife Photography, the course covers keys elements of composition, use of light, shutter speed, preparation for a field trip, encounters with wildlife and so much more.

The presentation is given on Zoom so you can ask your questions after the lecture and interact with our small group of 10 people maximum.

You are not left on your own with a video and reading material.

The first part of the course in English starts on Tuesday 23 February. The course in French starts on 24 February. I have classes scheduled in the morning and in the evening to accommodate you no matter your time zone.

Sign up today for one part only, or save $10 by signing up for both parts.

Roosevelt elk on Vancouver Island

One of my best qualities is stubbornness but I prefer to call it determination. Last autumn, I was determined to photograph the Roosevelt elk in its natural habitat. As a wildlife photographer, I had envisioned some compositions, light conditions, behaviours, etc. In order to achieve my goal, I gathered information from different sources, tracked several herds all over the island, stepped in piles of dropping, snow-shooed in mountains and bush-walked with mosquitoes, but I kept on going because dreams do come true when you put the effort.

Earlier this month, I found a herd of cows with calves in a field. Calves were feeding from their mothers. The light and the scenery were perfect. These are my first images, I intend to get more this summer for my upcoming photo book.

While wildlife photography is very rewarding (sometimes), I respect animals and their environment: I use a telephoto lens, I don’t harass animals and I don’t overstay. The last thing I want is to stress them, prevent them from feeding or losing precious energy while fleeing from a pesky photographer. I apply this rule to all animals and I hope you do too.

Remember that you can support my small business during these challenging times by getting gift cards, ordering prints online or signing up for a workshop if you live in British Columbia.

Photo Technique: How to create a strong black and white photograph?

A simple composition associated with a careful use of geometry, lines, curves, contrast and negative space.

Photo Technique: What makes a compelling image?

Many factors are to be considered but professional photographers, photo editors and jury members on photo competitions agree that what makes a compelling image is a unique perspective on the subject, sharpness and good composition. How to create a good composition? Keep it simple! Isolate your subject by getting rid of distracting elements, determine your source of light and use the elements of design: lines, pattern, shape and texture.

The Basics of Photography

Composition, exposure, shutter speed, ISO, aperture, opening up, spotlighting, centre-weighted meter: you might be familiar with some of these terms but it’s not always obvious how to adjust your camera accordingly. I offer half-day and multi-days workshops to help you understand and practice the fundamentals of photography. Once you master the basics, you’ll be able to take manual control of your camera and get better results.

All my workshops are given in the field for a hands-on experience. Get in touch so we can arrange for a workshop.

How to take better images

No matter our level in photography, we all strive to become better at it. Once we get an amazing shot and recognition from our peers, we feel the pressure to surpass that image or, at least, maintain the same level of quality in our work. Here are a few basics to remember:

Find your subject

Ask yourself what makes you pick up your camera in the first place, what you’re interested in: puppies, bears, birds, people, derelict places…

Do your research

Find out more about your subject’s behaviour, the best times and places to photograph them. Study maps, wildlife life cycles, animal tracks and droppings, almanach, tides tables, local news… Explore your area on foot and note your observations. Determine the most favourable type of weather based on the intended mood of the image. Visualize your shot. Evaluate travel time to location and preparation time in the field. Keep all your notes in a notepad.

Know your camera

Make the most of your camera. No matter the (limited or extensive) range of settings, you have to know their function, location on the menu and how to quickly adjust them. Read the manual. That’s right, read the entire camera manual. The more you know about your camera, the most you’ll get out of it.

In the field

With all that knowledge in hands, you get to location, find your subject, frame it and press the shutter button. Next, check the strength of your composition, the sharpness of your image and verify the exposure on the histogram. It’s important to take your time in the field because mistakes cannot be fixed at home, even with the best photo editing program. An out-of-focus image is an out-of-focus image. A badly composed image will remain a badly composed image - forever.

Back at home

Once you display your images on a bigger screen, study them closely and judge their quality. What worked, what didn’t? Why? What can be improved? How? Find resources that can help you improve your techniques or artistic vision. The best way to progress is to learn from your mistakes and practice a lot. The more you practice, the better you’ll become, just like an athlete.

Be unique!

Get inspiration from your favourite photographers but avoid copying their style. Find your own voice. It’s okay to be different and not follow the latest trend. Your images will be more meaningful if they reflect your own vision and sensibility towards the subject.

Upcoming workshops

Photo Adventure in Yuquot, BC

I recently returned from Yuquot, a historic village located on Nootka Island, on the west coast of Vancouver Island. The land has been inhabited by indigenous peoples since time immemorial. In 1778, Captain James Cook became the first known European to land in the area. Colonization ensued with its lasting impact on local communities. Today Yuquot is a permanent home to a few people only.

I reached my destination by floatplane. Weather was poor and landing was not guaranteed but we made it safely. After dropping my bags at the rented cabin, I immediately headed out with my camera despite the heavy rain and wind. I wanted to explore the area and find potential photo opportunities in preparation for the next few days.

During my stay in Yuquot, I had the opportunity to witness sea otters feeding on sea urchins and a mink running along the shore. I was hoping to see more wildlife and photograph sea wolves (and black bears) but I didn’t see any signs, tracks or droppings. Although I had to sometimes work with hard light and I captured only a few images of what I had envisioned, I liked my adventure. I realized that I was well prepared for the challenging conditions such as starting a fire with soaked logs! I enjoyed the amazing ocean view from my rustic cabin, the sound of crashing waves at night and the floatplane journey over Muchalat inlet.

Autumn Vibes on Vancouver Island

Change of season can mean a change of subject for nature photographers. During the autumn on Vancouver Island, I turn my attention to local forests with deciduous trees like maple trees. They produce various shades of yellow, orange and red and are some of my favourite subjects to photograph at this time of year. I often return to the same woodlands several times during the season to capture the progression of the colour change. I visit these spots during the day, at night, and in various weather conditions: wind, fog, light rain or cloud covered. Each situation tells a different story.

When I walk in the forest, I look for patterns, shapes and texture. I look up, down, I lay on the ground, get on my knees, stand on boulders, as I look for a unique perspective on my subject. I like simple compositions. When I frame my subject, I make sure that they are no distracting elements and no lines leading the viewer’s eye out of the frame. Only then I press the shutter-release button.

I hope you find your own inspiration in the woods.

Composition

Composition can be daunting. The good news is you can learn about it and get better with time and practice!

When I’m in the field, I always look for interesting shapes, patterns, lines and texture. Once I find a potential subject, I evaluate the intensity of the light, its direction and the need to use filters or not. I identify distracting elements, determine my focal point and move around to find my composition. I establish the depth of field, what should be in focus and which lens to use. Then I set up my tripod, which is essential in order to get sharp images. After taking my shot, I check the histogram and the clarity of my image on the back screen. From there I can adjust my composition accordingly. I find that seeing my image on the small screen tells me right away if the composition is good or not.

I believe that a poor image cannot be fixed with a software so I prefer to take the time to compose my images while I am in the field. I also prefer to spend my time outside rather than in front of my computer!

If you’re ready to learn how to get better images, sign up for an upcoming workshop or ask for a private workshop.

Graduated ND filters

Graduated neutral density filters, or graduated ND filters, are used by photographers to control very bright areas of a scene. A graduated filter is made of glass which is half dark and half clear with a soft or hard edge between the two parts. Graduated ND filters come in different density, typically from one to 10 f-stops.

Fix or hand-held the filter in front of your lens. Place the darker area over the part you wish to darken (i.e. bright sky). The clear part of the filter will keep its normal brightness. You’ll notice that once you have placed the filter in front of your lens, you’ll need to re-adjust the exposure. You can use a graduated filter to emphasize an area of your image by darkening a less important area, knowing that the viewer’s eyes are naturally attracted by lighter areas in a photograph.

Note: The transition between the dark and clear parts of a filter can create an unnatural line in your image so use the proper density filter.

Olympic Peninsula, WA, USA

24-70 mm, ISO 100 f11 1/6 s

Olympic Peninsula, WA, USA

24-70 mm, ISO 100 f11 1/2 s

What wildlife really does when humans are away...

First look around and make sure no-one else is here. And then roll in the moss!

River otter, Lontra canadensis

Herring Spawn on the coast of Vancouver Island

After weeks of anticipation, the Pacific herring has spawned in shallow waters along the coastline of the Salish sea. Birds, mammals and humans have been competing for it since the controversial fishery opened last week.

I witnessed wildlife feeding, and even fighting, for the little silver fish. They could do with some good fish to fatten them up before their offspring are born in the coming weeks. They will certainly need a lot of energy at that time. I also saw a courageous mink running back and forth to get herrings from the shoreline, while keeping an eye on eagles perched on tall trees. It was going so fast, I had a hard time to keep track of it with my big lens. The light was great for photography as the sky was overcast and it was very early in the morning.

Enjoy these few images and if you wish to see more, go to my portfolio or in my stock images.

Element of intention and element of chance

I always go in the field prepared and with intent. However my mind is also open for the unexpected.

One morning, I went to the Oyster River estuary with the intention to photograph ducks. I arrived very early in order to avoid the dog walkers, dogs being a major deterrent to wildlife observation and photography. The fog was starting to dissipate as I quietly entered the woods. Every few steps, I stopped, listened and looked for birds and other wildlife. That’s when I had the chance to spot a heron resting on a branch by the trail. The branch was low, which was perfect for an eye-level shot. I slowly approached the heron from the side, warning him of my presence. I quickly set up my camera and took a series of shots. I didn’t overstay because herons have a low tolerance level towards human presence and I didn’t want to disturb him any longer than necessary.

Heron on a branch, Oyster River

On that morning, although my intention was to photograph ducks in the estuary, I had the chance to observe a sleepy heron on a branch and come back with some great images. In nature photography, be prepared for lucky shots!