Television Interview - Entrevue à la télévision

On 4 July, I had the pleasure of talking to Geneviève Murchison, host of the television program Connexion on Radio-Canada, about my passion for nature photography. What a great way to start the summer!

In case you missed it, you can watch it here. It’s in French and starts at the 17:00 mark.

Le 4 juillet, j’ai eu le plaisir de parler avec Geneviève Murchison, animatrice du programme de télévision Connexion sur Radio-Canada, de ma passion pour la photographie de nature. Quelle superbe façon de commencer l’été!

Si vous avez manqué l’émission, vous pouvez la revoir ici. Ça commence à la 17e minute.

The story behind this shot - L’histoire derrière l’image

The story behind this shot

When we discover a new region, we have the advantage of observing the environment with more intensity and curiosity than locals. I took this picture during my first winter in the Comox Valley, a very long time ago. As a newcomer, I was mesmerized by the beauty of the estuary with the snow-capped mountains in the background and the high concentration of birds and marine mammals in that area. I thought the place had a lot of potential for nature photography. However the estuary is located in the heart of the town therefore it is surrounded by buildings and busy roads and I did not want them to appear in my shot. So I waited for a winter morning with some thick fog, which made the buildings disappear, and also created a beautiful atmospheric view. The sun was still below the horizon and the light was constantly changing so I quickly set up my camera and took this image.

Canon EOS 70D f/4.5, 1/400 second , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, focal length: 35 mm

Fog in the Comox Valley

L’histoire derrière l’image

Lorsque nous découvrons une nouvelle région, nous avons l’avantage d’observer l’environnement avec plus d’intensité et de curiosité que les habitants. J’ai pris cette photo lors de mon premier hiver dans la Vallée de Comox, il y a très longtemps. En tant que nouvel arrivant, j’étais subjuguée par la beauté de l’estuaire avec la chaîne de montagnes aux sommets enneigés en arrière-plan et l’importante concentration d’oiseaux et de mammifères marins à cet endroit. Le lieu offrait beaucoup de potentiel pour la photographie de nature. Toutefois, l’estuaire est situé au coeur de l’agglomération donc il est entouré d’habitations et de routes que je ne souhaitais pas avoir sur la photo. J’ai donc attendu un matin d’hiver avec un épais brouillard qui cachait les maisons mais qui créait aussi une belle atmosphère. Le soleil était encore sous l’horizon et la lumière changeait constamment, j’ai donc rapidement effectué mes réglages et j’ai pris cette photo.

Canon EOS 70D f/4.5, 1/400 seconde , ISO400 - Canon EF-S 18-135mm f/3.5-5.6 IS STM, longueur focale : 35 mm

Introducing Creative Nature Photography online course

I am happy to announce my two-part online course Creative Nature Photography (courses are available in English and in French). If you are looking to improve your creative skills, this is the course for you. Divided in two parts: Composition and Wildlife Photography, the course covers keys elements of composition, use of light, shutter speed, preparation for a field trip, encounters with wildlife and so much more.

The presentation is given on Zoom so you can ask your questions after the lecture and interact with our small group of 10 people maximum.

You are not left on your own with a video and reading material.

The first part of the course in English starts on Tuesday 23 February. The course in French starts on 24 February. I have classes scheduled in the morning and in the evening to accommodate you no matter your time zone.

Sign up today for one part only, or save $10 by signing up for both parts.

Book Release: Vancouver Island Wildlife - A Photo Journey

As you all know, over the last year, I have been working hard to photograph interesting species that call Vancouver Island home, such as the elusive Roosevelt elk and the rare Vancouver Island marmot. The result is the creation of my book Vancouver Island Wildlife - A Photo Journey, which is being released in early October.

Divided into two sections, On the Coast and In the Forest, this photographic journey features over 150 stunning images of Vancouver Island’s biodiversity and wild landscapes. This books presents rare and candid moments featuring charismatic animals, such as the black bear, sea otter, Roosevelt elk, sea lion, bald eagle, and the rare Vancouver Island marmot as well as intimate portraits of flora species found in the rainforest and in subalpine meadows. Splendid images of moss-covered trees in autumn foliage complete this compilation of impressive photographs. Captioned with anecdotes, and conservation and photographic techniques information, this beautiful book invites you into a natural world with unique ecosystems, and is certain to capture the interest of photographers, travellers and nature-lovers.

Pre-order your signed copy today! Books are shipped worldwide.

An amazing photographic journey in the wilderness of Vancouver Island that presents compelling images of elusive wildlife, stunning landscapes and unique ecosystems.

Roosevelt elk on Vancouver Island

One of my best qualities is stubbornness but I prefer to call it determination. Last autumn, I was determined to photograph the Roosevelt elk in its natural habitat. As a wildlife photographer, I had envisioned some compositions, light conditions, behaviours, etc. In order to achieve my goal, I gathered information from different sources, tracked several herds all over the island, stepped in piles of dropping, snow-shooed in mountains and bush-walked with mosquitoes, but I kept on going because dreams do come true when you put the effort.

Earlier this month, I found a herd of cows with calves in a field. Calves were feeding from their mothers. The light and the scenery were perfect. These are my first images, I intend to get more this summer for my upcoming photo book.

While wildlife photography is very rewarding (sometimes), I respect animals and their environment: I use a telephoto lens, I don’t harass animals and I don’t overstay. The last thing I want is to stress them, prevent them from feeding or losing precious energy while fleeing from a pesky photographer. I apply this rule to all animals and I hope you do too.

Remember that you can support my small business during these challenging times by getting gift cards, ordering prints online or signing up for a workshop if you live in British Columbia.

Stuck at home

The pandemic triggered unexpected reactions in some people like stockpiling on food and, for some obscure reason, toilet paper. Having fun outside our home has been restricted. After days spent locked in, the concept of time has been altered. We are now finding ways to escape our new reality.

Photo Technique: How to use colours for dramatic effect?

Red, yellow and blue are primary colours for pigment. Violet, orange and green are secondary colours. To create a bold image, use complementary colours: orange and blue, green and red, yellow and purple. Complementary colours opposite each other on the wheel of colours.

Wheel of colours

Orange against dark blue

Photo Technique: How to create a strong black and white photograph?

A simple composition associated with a careful use of geometry, lines, curves, contrast and negative space.

Photo Technique: How to reduce noise in an image?

There are a few actions you can take:

• Expose to the right by either opening up the lens aperture or by using a slower shutter speed. An underexposed image later brightened on a computer will result in a lot of noise and other artefacts.

• Determine your camera’s high ISO capability by conducting a simple test. Place your camera on a tripod and take the same photograph of a subject with dark areas, at various ISO starting at 100 all the way up by increment of full stops. Verify the progression in the amount of noise by enlarging each image on your computer screen.
  

Photo Technique: What makes a compelling image?

Many factors are to be considered but professional photographers, photo editors and jury members on photo competitions agree that what makes a compelling image is a unique perspective on the subject, sharpness and good composition. How to create a good composition? Keep it simple! Isolate your subject by getting rid of distracting elements, determine your source of light and use the elements of design: lines, pattern, shape and texture.

Photo Technique: Depth of Field

A narrow depth of field isolates the subject. It makes it stand out against a blurred background because the viewer’s eye is naturally attracted by a sharp subject. A wide depth of field put the subject into context. The entire picture is sharp so the viewer tends to look at the subject in relation to its surroundings.

Narrow depth of field

Wide depth of field

Narrow depth of field

Wide depth of field

The Basics of Photography

Composition, exposure, shutter speed, ISO, aperture, opening up, spotlighting, centre-weighted meter: you might be familiar with some of these terms but it’s not always obvious how to adjust your camera accordingly. I offer half-day and multi-days workshops to help you understand and practice the fundamentals of photography. Once you master the basics, you’ll be able to take manual control of your camera and get better results.

All my workshops are given in the field for a hands-on experience. Get in touch so we can arrange for a workshop.

How to take better images

No matter our level in photography, we all strive to become better at it. Once we get an amazing shot and recognition from our peers, we feel the pressure to surpass that image or, at least, maintain the same level of quality in our work. Here are a few basics to remember:

Find your subject

Ask yourself what makes you pick up your camera in the first place, what you’re interested in: puppies, bears, birds, people, derelict places…

Do your research

Find out more about your subject’s behaviour, the best times and places to photograph them. Study maps, wildlife life cycles, animal tracks and droppings, almanach, tides tables, local news… Explore your area on foot and note your observations. Determine the most favourable type of weather based on the intended mood of the image. Visualize your shot. Evaluate travel time to location and preparation time in the field. Keep all your notes in a notepad.

Know your camera

Make the most of your camera. No matter the (limited or extensive) range of settings, you have to know their function, location on the menu and how to quickly adjust them. Read the manual. That’s right, read the entire camera manual. The more you know about your camera, the most you’ll get out of it.

In the field

With all that knowledge in hands, you get to location, find your subject, frame it and press the shutter button. Next, check the strength of your composition, the sharpness of your image and verify the exposure on the histogram. It’s important to take your time in the field because mistakes cannot be fixed at home, even with the best photo editing program. An out-of-focus image is an out-of-focus image. A badly composed image will remain a badly composed image - forever.

Back at home

Once you display your images on a bigger screen, study them closely and judge their quality. What worked, what didn’t? Why? What can be improved? How? Find resources that can help you improve your techniques or artistic vision. The best way to progress is to learn from your mistakes and practice a lot. The more you practice, the better you’ll become, just like an athlete.

Be unique!

Get inspiration from your favourite photographers but avoid copying their style. Find your own voice. It’s okay to be different and not follow the latest trend. Your images will be more meaningful if they reflect your own vision and sensibility towards the subject.

Upcoming workshops

Photo Adventure in Yuquot, BC

I recently returned from Yuquot, a historic village located on Nootka Island, on the west coast of Vancouver Island. The land has been inhabited by indigenous peoples since time immemorial. In 1778, Captain James Cook became the first known European to land in the area. Colonization ensued with its lasting impact on local communities. Today Yuquot is a permanent home to a few people only.

I reached my destination by floatplane. Weather was poor and landing was not guaranteed but we made it safely. After dropping my bags at the rented cabin, I immediately headed out with my camera despite the heavy rain and wind. I wanted to explore the area and find potential photo opportunities in preparation for the next few days.

During my stay in Yuquot, I had the opportunity to witness sea otters feeding on sea urchins and a mink running along the shore. I was hoping to see more wildlife and photograph sea wolves (and black bears) but I didn’t see any signs, tracks or droppings. Although I had to sometimes work with hard light and I captured only a few images of what I had envisioned, I liked my adventure. I realized that I was well prepared for the challenging conditions such as starting a fire with soaked logs! I enjoyed the amazing ocean view from my rustic cabin, the sound of crashing waves at night and the floatplane journey over Muchalat inlet.

Autumn Vibes on Vancouver Island

Change of season can mean a change of subject for nature photographers. During the autumn on Vancouver Island, I turn my attention to local forests with deciduous trees like maple trees. They produce various shades of yellow, orange and red and are some of my favourite subjects to photograph at this time of year. I often return to the same woodlands several times during the season to capture the progression of the colour change. I visit these spots during the day, at night, and in various weather conditions: wind, fog, light rain or cloud covered. Each situation tells a different story.

When I walk in the forest, I look for patterns, shapes and texture. I look up, down, I lay on the ground, get on my knees, stand on boulders, as I look for a unique perspective on my subject. I like simple compositions. When I frame my subject, I make sure that they are no distracting elements and no lines leading the viewer’s eye out of the frame. Only then I press the shutter-release button.

I hope you find your own inspiration in the woods.

Triangle of exposure

Three elements constitute the triangle of exposure: aperture, shutter speed and ISO:

• Aperture (f/N): light passing through the lens

• Shutter speed: how long the shutter stays open

• ISO: image sensor’s sensitivity to light

A small aperture (i.e. f/16) gives a deep depth of field and is usually used for landscape.

A fast shutter speed (i.e. 1/1000 sec) is used to freeze motion, like birds in flight or action shots. It also gives a shallow depth of field.

A slow shutter speed (i.e. 1/4 sec) is great for motion blur like milky water effect or rain streaks. Slow shutter speed is also used for night photography or poorly lit areas. In any case, a tripod is highly recommended for long exposures.

Before you adjust the aperture, shutter speed and ISO on your camera, you need to ask yourself: What effect do I wish to create? What is the mood of my image? What am I trying to tell?

Use the light meter in your camera to help you get the proper exposure. Light is measured in Exposure Value (EV) and typically displays in cameras from - 3 EV to + 3 EV

-3 _____ -2 _____ -1 _____ ∆ _____ 1 _____ 2 _____ 3

under exposed correct expo. over exposed

Once you’ve taken your shot, check the histogram and readjust your exposure if necessary.

Time to practice. Let me know how it goes!

f/13, ISO 200, 1/25 sec

f/5.6, ISO 800, 1/500 s

f/11, ISO 100, 1 sec

f/5.6, ISO 800, 1/800 s

f/9, ISO 800, 1/30 s

Composition

Composition can be daunting. The good news is you can learn about it and get better with time and practice!

When I’m in the field, I always look for interesting shapes, patterns, lines and texture. Once I find a potential subject, I evaluate the intensity of the light, its direction and the need to use filters or not. I identify distracting elements, determine my focal point and move around to find my composition. I establish the depth of field, what should be in focus and which lens to use. Then I set up my tripod, which is essential in order to get sharp images. After taking my shot, I check the histogram and the clarity of my image on the back screen. From there I can adjust my composition accordingly. I find that seeing my image on the small screen tells me right away if the composition is good or not.

I believe that a poor image cannot be fixed with a software so I prefer to take the time to compose my images while I am in the field. I also prefer to spend my time outside rather than in front of my computer!

If you’re ready to learn how to get better images, sign up for an upcoming workshop or ask for a private workshop.

Get off Auto, create your best images this summer!

Just added 3 workshops in English and 3 in French, all in the Comox Valley, and on Saturdays afternoon.

• Learn how to use your camera on manual mode

• Learn about exposure, depth of field, focus, and key elements of composition

• Use technical and creative elements together to improve your images

• Get more confident with your camera and your skills

• Get more one-on-one time by being part of a small group of 5 participants

• Take your newly acquired knowledge to your next trip

Book now!

Graduated ND filters

Graduated neutral density filters, or graduated ND filters, are used by photographers to control very bright areas of a scene. A graduated filter is made of glass which is half dark and half clear with a soft or hard edge between the two parts. Graduated ND filters come in different density, typically from one to 10 f-stops.

Fix or hand-held the filter in front of your lens. Place the darker area over the part you wish to darken (i.e. bright sky). The clear part of the filter will keep its normal brightness. You’ll notice that once you have placed the filter in front of your lens, you’ll need to re-adjust the exposure. You can use a graduated filter to emphasize an area of your image by darkening a less important area, knowing that the viewer’s eyes are naturally attracted by lighter areas in a photograph.

Note: The transition between the dark and clear parts of a filter can create an unnatural line in your image so use the proper density filter.

Olympic Peninsula, WA, USA

24-70 mm, ISO 100 f11 1/6 s

Olympic Peninsula, WA, USA

24-70 mm, ISO 100 f11 1/2 s

What wildlife really does when humans are away...

First look around and make sure no-one else is here. And then roll in the moss!

River otter, Lontra canadensis