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photo de nature

Photographier les wapitis de Roosevelt

Certaines espèces sont plus actives que d’autres aux aurores comme le wapiti de Roosevelt. Ce qui veut dire que je dois me lever en plein milieu de la nuit pour aller les photographier car la harde que je connais bien vit à plusieurs heures de route de chez moi.

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Je photographie cette harde depuis les dernières années et j’anticipe toujours beaucoup nos rencontres potentielles. Rien n’est jamais donné avec la faune. Parfois ils ne se montrent pas ou bien je dois attendre tranquillement pendant des heures.

J’ai un lieu préféré pour photographier cette harde de wapiti à partir d’une distance respectueuse et d’un point de vue dégagé. Au cours d’une récente visite, alors que je marchais vers ce lieu, j’ai remarqué que la harde se rendait déjà dans cette direction. J’ai donc commencé à marcher plus vite, mais silencieusement, afin que les wapitis ne remarquent pas ma présence. Je suis arrivée la première, j’ai mis mon trépied en place, effectué les réglages sur mon appareil photo et j’ai attendu quelques minutes. Je pouvais les entendre se mouvoir dans la forêt et marcher sur des bouts de bois secs. Lorsqu’ils sont sortis de la forêt, les femelles ont traversé la rivière en premier tout en entourant les petits, probablement pour les protéger d’éventuels prédateurs. Le dernier à apparaître, pour fermer la marche, était le cerf avec ses bois majestueux. Je n’avais que cinq minutes pour les photographier avant qu’ils ne disparaissent à nouveau de ma vue et j’ai apprécié chaque minute.

À chaque fois que je vois cette harde, je me sens privilégiée d’être le témoin de moments importants dans leur vie, de voir les femelles enceintes ou allaiter leurs petits, d’observer les jeunes s’amuser à se pourchasser et de voir le cerf marcher fièrement autour de son harem d’une douzaine de femelles. Avec le début de la saison du rut, j’espère pouvoir être en mesure de photographier leur comportement notamment celui du cerf.

Excursion photo à Tofino

Si un voyage à Tofino en septembre vous tente, j'y donne un atelier du 20 au 24 septembre (en français seulement). Nous passerons nos journées soit sur les plages de sable fin du Pacific Rim ou dans la forêt tempérée humide. La côte ouest de l’Île de Vancouver a beaucoup offert en matière de magnifiques paysages et vie sauvage. Le nombre de places est limité à 5 personnes. Inscrivez-vous ici !

Publiée dans le magazine PrésentEs! Published in the magazine PrésentEs!

Je suis très contente d’être publiée dans le magazine PrésentEs! de l’Alliance des femmes de la francophonie canadienne dans un article où j’aborde l’éthique en photographie naturaliste. Cette édition de l’été 2021 est consacrée aux femmes et à l’environnement. Je vous invite à le lire ici.

I am very happy to be published in the magazine PrésentEs! of the Alliance des femmes de la francophonie canadienne; in my article I talk about ethics in nature photography. The Summer 2021 edition focuses on women and the environment. I invite you to read it here (the article is in French).

Television Interview - Entrevue à la télévision

On 4 July, I had the pleasure of talking to Geneviève Murchison, host of the television program Connexion on Radio-Canada, about my passion for nature photography. What a great way to start the summer!

In case you missed it, you can watch it here. It’s in French and starts at the 17:00 mark.

Le 4 juillet, j’ai eu le plaisir de parler avec Geneviève Murchison, animatrice du programme de télévision Connexion sur Radio-Canada, de ma passion pour la photographie de nature. Quelle superbe façon de commencer l’été!

Si vous avez manqué l’émission, vous pouvez la revoir ici. Ça commence à la 17e minute.

Les ateliers de photo de nature maintenant ouverts aux Canadiens de partout au pays!

À partir du 1er juillet 2021, la Colombie-Britannique ouvre ses portes aux voyageurs venant du Canada. Pour les voyageurs internationaux, la frontière canadienne reste fermée pour les voyages jugés non-essentiels, même pour les voyageurs vaccinés.

Nos ateliers de photo de nature sont donnés en plein air seulement et nous prenons toutes les mesures nécessaires pour assurer votre sécurité en temps de pandémie. Le port d’un masque n’est pas requis à l’extérieur, toutefois nous demandons à tous ceux qui participent à l’évènement en plein air de respecter une distance physique de 2 mètres, à moins que vous ne viviez ensemble. Nous fournissons du gel désinfectant pour les mains.

N’hésitez pas nous faire parvenir vos questions et commentaires durant cette période de transition vers un retour à la normale.

En savoir plus sur les ateliers offerts cet été.

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Directives du Gouvernement de la Colombie-Britannique (en anglais seulement) : https://www2.gov.bc.ca/gov/content/covid-19/info/restrictions

The story behind these images - L'histoire derrière ces photos

Earlier this spring, I noticed a nest in a second-growth forest that had been slightly damaged by the wind and the rain this winter. I wondered if it was going to be restored and used again. When I returned to this location this week, I found the nest which seemed to be in better condition. Yet no bird was sitting on it. I walked away a bit and waited to see if a bird was coming in order to find out what type of bird it was.

Then a female yellow warbler appeared in a tree a few meters from the nest. My attention immediately fell on her and, without moving so as not to frighten her, I tried to photograph her through the leafy branches. Not getting satisfactory results, I ended up walking away. Then I wondered if this was a diversionary tactic on the part of the warbler. I was then about ten meters away and the foliage was obstructing the nest, but I saw a small yellow dot on it and, using my telephoto lens, I zoomed in to find the warbler was sitting on her nest.

Delighted with my discovery, I left because I did not want her to abandon her nest after being disturbed.


Plus tôt ce printemps, j’ai remarqué un nid dans une forêt de seconde venue qui avait été un peu endommagé par le vent et la pluie cet hiver. Je me suis demandée si il allait être restauré et utilisé à nouveau. Lorsque je suis retournée à cet endroit cette semaine, j’ai retrouvé le nid qui semblait en meilleure condition. Pourtant il n’y avait pas d’oiseau qui couvait. Je me suis éloignée un peu et j’ai attendu de voir si un oiseau allait venir afin de découvrir de quel type d’oiseau il s’agissait.

Puis une paruline jaune est apparue dans un arbre à quelques mètres du nid. Mon attention s’est aussitôt portée sur elle et, sans me déplacer pour ne pas l’effrayer, j’ai essayé de la photographier au travers des branches feuillues. N’obtenant pas de résultats satisfaisants, j’ai fini par m’éloigner. Puis je me suis demandée si il s’agissait d’une tactique de diversion de la part de la paruline. J’étais alors à une dizaine de mètres et le feuillage obstruait le nid mais j’ai distingué un petit point jaune dessus et, à l’aide de mon téléobjectif, j’ai zoomé pour découvrir que la paruline couvait son nid.

Ravie de ma découverte, je suis partie car je ne voulais surtout pas qu’elle abandonne son nid après avoir été dérangée.

Photo Workshops during the COVID-19 Pandemic - Ateliers photo pendant la pandémie de COVID-19

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All the workshops are given in small groups (5 participants max) and in the outdoors so you are less likely to get or spread COVID-19. You can either join an already scheduled workshop or ask for a private workshop for yourself or as members of the same bubble at no extra cost. We offer half-day, weekend and multi-day workshops all year-round. Feel free to contact us for details.

During the pandemic, we take all necessary precautions to ensure your safety. We ask everyone attending the outdoor event to maintain a physical distance of 2 metres between one another, unless you reside together. We recommend the use of a mask and we supply hand sanitation gel.

The day prior to the start of the workshop, you will be asked whether you have symptoms of COVID-19, have been in close contact with someone who has confirmed or suspected COVID-19. If you have any symptoms of COVID-19 prior to the workshop, please inform us immediately; we will reschedule you for another workshop once you have fully recovered.

Below are the current travel restrictions for Vancouver Island, BC:

  • Vancouver Island residents are allowed to travel within the Vancouver Island Health region for recreational purposes.

  • For British Columbians, travel is allowed within your health zone. Non-essential travel between health zones continues to be restricted.

  • For Canadians, all non-essential travel to BC must be avoided until further notice.

  • For international visitors, the Canadian border remains closed for non-essential travel, including those who have been vaccinated.

For current travel information, visit https://www.hellobc.com/what-you-need-to-know/

Further details on the current orders can be found at: gov.bc.ca/COVID-19

Ateliers photo pendant la pandémie de COVID-19

Tous les ateliers sont donnés en petits groupes (5 participants max) et en plein air donc vous êtes moins susceptible d'attraper ou de propager le COVID-19. Vous pouvez soit rejoindre un atelier déjà programmé, soit demander un atelier privé pour vous-même ou en tant que membre de la même bulle, et ce, sans frais supplémentaire. Nous proposons des ateliers d'une demie-journée, d'un week-end et de plusieurs jours tout au long de l'année. N'hésitez pas à nous contacter pour plus de détails.

Pendant la pandémie, nous prenons toutes les mesures nécessaires pour assurer votre sécurité. Nous demandons à tous ceux qui participent à l'événement en plein air de maintenir une distance physique de 2 mètres, à moins que vous ne viviez ensemble. Nous recommandons le port d'un masque et nous fournissons du gel désinfectant pour les mains.

La veille de l'atelier, nous vous demanderons si vous avez des symptômes de COVID-19 et si vous avez été en contact étroit avec un cas confirmé ou suspecté de COVID-19. Si vous avez des symptômes de COVID-19 avant le début l'atelier, veuillez nous en informer immédiatement ; nous vous reporterons votre inscription à un futur atelier lorsque vous serez complètement rétabli.

Vous trouverez ci-dessous les restrictions de voyage courantes pour l'île de Vancouver, en Colombie-Britannique :

  • Les résidents de l'île de Vancouver sont autorisés à se déplacer dans la région sanitaire de l'île de Vancouver à des fins récréatives.

  • Pour les Britanno-Colombiens, les déplacements sont autorisés dans votre zone sanitaire seulement. Les déplacements non essentiels entre les zones sanitaires continuent d'être limités.

  • Pour les Canadiens, tout voyage non essentiel en Colombie-Britannique doit être évité jusqu'à nouvel ordre.

  • Pour les visiteurs internationaux, la frontière canadienne reste fermée pour les déplacements non essentiels, y compris pour ceux qui ont été vaccinés.

Pour les dernières informations sur les voyages, visitez : https://www.hellobc.com/what-you-need-to-know/ (en anglais seulement)

Pour plus de détails sur les mesures en cours, visitez : gov.bc.ca/COVID-19 (en anglais seulement)

Vancouver Island Wildlife, A Photo Journey - Book Release on 5 October

I am proud to announce the release of my book Vancouver Island Wildlife, A Photo Journey. I hope it offers a good perspective on a unique region, on the west coast of Canada.

Over the last year, I travelled by foot, snowshoes, floatplane and boat to photograph some of the charismatic wildlife that frequents or lives on Vancouver Island. For this project, my challenge was to take candid shots of elusive species, such as the Roosevelt elk (Cervus elaphus roosevelti). I remember looking for them in Strathcona park in snowshoes, stepping over their tracks, and finally, months later, finding a herd of females caring for their young.

On Vancouver Island, many species are of special concern, threatened or endangered like the Vancouver Island marmot (Marmota vancouverensis). Given the fact that there is only a few marmots in the wild, the same size as a domestic cat, and dark brown in colour, it is quite rare to spot them in the alpine regions. However, I was able to photograph marmots at Mount Washington.

My goal was also to photograph the fragile ecosystems where these animals live to raise awareness about our collective responsibility in the sustainable development of this amazing part of the world, as well as its preservation and restoration for future generations.

I hope that you will enjoy this journey in the heart of Vancouver Island wilderness.

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Je suis fière de vous annoncer la parution de mon livre Vancouver Island Wildlife, A Photo Journey. Un livre qui, j’espère, ouvrira une fenêtre sur une région unique de la côte ouest du Canada.

Au cours de la dernière année, j’ai voyagé à pied, en raquettes, en hydravion et par bateau afin de photographier quelques uns des animaux charismatiques qui peuplent ou fréquentent l’Île de Vancouver. Pour ce livre, je m’étais lancé le défi de capturer des moments candides chez des espèces élusives, comme le wapiti de Roosevelt (Cervus elaphus roosevelti). Je me souviens l’avoir pisté en raquettes dans le parc Strathcona, avoir marché dans ses pas pour enfin, des mois plus tard, tomber sur une harde de femelles en train d’allaiter leurs petits.

Sur l’Île de Vancouver, bien des espèces sont en situation préoccupante, menacées ou bien en voie de disparition comme la marmotte de l’Île de Vancouver (Marmota vancouverensis). Son petit nombre fait qu’il est très rare de la rencontrer sans compter qu’il est difficile de la repérer dans le paysage alpin car elle est de la grosseur d’un chat et de couleur brun foncé. Cependant j’ai pu la photographier au Mont Washington.

J’ai souhaité aussi photographier les fragiles écosystèmes dans lequel vivent ses animaux afin de nous rappeler notre responsabilité collective dans le développement durable de cette incroyable région du monde, ainsi que sa préservation et restauration pour les futures générations.

J’espère que vous apprécierez ce voyage au coeur du monde sauvage de l’Île de Vancouver.

Photo Technique: : How to obtain maximum focus?

Use a small aperture such as f/16, low ISO, make sure the back of your camera is parallel to your subject and use your tripod.

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The Basics of Photography

Composition, exposure, shutter speed, ISO, aperture, opening up, spotlighting, centre-weighted meter: you might be familiar with some of these terms but it’s not always obvious how to adjust your camera accordingly. I offer half-day and multi-days workshops to help you understand and practice the fundamentals of photography. Once you master the basics, you’ll be able to take manual control of your camera and get better results.


All my workshops are given in the field for a hands-on experience. Get in touch so we can arrange for a workshop.

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Upcoming workshops

Pacific Rim National Park Reserve

The Pacific Rim National Park Reserve located near Tofino is a popular destination for nature photographers, that’s why I prefer to go there later in the year because it’s less crowded and there is also a possibility of viewing winter storms. Although the weather was calm last week, waves from the Pacific were rolling up the shore in a beautiful display of green and blue tones. I saw a big group of Steller sea lions basking in the morning sun on a small island visible from the beach. I hiked a lot of deserted trails during my stay, which allowed me to immerse myself in my work without being distracted.

The Pacific Rim National Park Reserve is one of my favourite places on Vancouver Island for its natural beauty and unique character. If you’re ready to explore this incredible place, get in touch with me so we can arrange for a workshop.

Upcoming workshops

How to take better images

No matter our level in photography, we all strive to become better at it. Once we get an amazing shot and recognition from our peers, we feel the pressure to surpass that image or, at least, maintain the same level of quality in our work. Here are a few basics to remember:

Find your subject

Ask yourself what makes you pick up your camera in the first place, what you’re interested in: puppies, bears, birds, people, derelict places…

Do your research

Find out more about your subject’s behaviour, the best times and places to photograph them. Study maps, wildlife life cycles, animal tracks and droppings, almanach, tides tables, local news… Explore your area on foot and note your observations. Determine the most favourable type of weather based on the intended mood of the image. Visualize your shot. Evaluate travel time to location and preparation time in the field. Keep all your notes in a notepad.

Know your camera

Make the most of your camera. No matter the (limited or extensive) range of settings, you have to know their function, location on the menu and how to quickly adjust them. Read the manual. That’s right, read the entire camera manual. The more you know about your camera, the most you’ll get out of it.

In the field

With all that knowledge in hands, you get to location, find your subject, frame it and press the shutter button. Next, check the strength of your composition, the sharpness of your image and verify the exposure on the histogram. It’s important to take your time in the field because mistakes cannot be fixed at home, even with the best photo editing program. An out-of-focus image is an out-of-focus image. A badly composed image will remain a badly composed image - forever.

Back at home

Once you display your images on a bigger screen, study them closely and judge their quality. What worked, what didn’t? Why? What can be improved? How? Find resources that can help you improve your techniques or artistic vision. The best way to progress is to learn from your mistakes and practice a lot. The more you practice, the better you’ll become, just like an athlete.

Be unique!

Get inspiration from your favourite photographers but avoid copying their style. Find your own voice. It’s okay to be different and not follow the latest trend. Your images will be more meaningful if they reflect your own vision and sensibility towards the subject.

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Photo Adventure in Yuquot, BC

I recently returned from Yuquot, a historic village located on Nootka Island, on the west coast of Vancouver Island. The land has been inhabited by indigenous peoples since time immemorial. In 1778, Captain James Cook became the first known European to land in the area. Colonization ensued with its lasting impact on local communities. Today Yuquot is a permanent home to a few people only.

I reached my destination by floatplane. Weather was poor and landing was not guaranteed but we made it safely. After dropping my bags at the rented cabin, I immediately headed out with my camera despite the heavy rain and wind. I wanted to explore the area and find potential photo opportunities in preparation for the next few days.

During my stay in Yuquot, I had the opportunity to witness sea otters feeding on sea urchins and a mink running along the shore. I was hoping to see more wildlife and photograph sea wolves (and black bears) but I didn’t see any signs, tracks or droppings. Although I had to sometimes work with hard light and I captured only a few images of what I had envisioned, I liked my adventure. I realized that I was well prepared for the challenging conditions such as starting a fire with soaked logs! I enjoyed the amazing ocean view from my rustic cabin, the sound of crashing waves at night and the floatplane journey over Muchalat inlet.

Autumn Vibes on Vancouver Island

Change of season can mean a change of subject for nature photographers. During the autumn on Vancouver Island, I turn my attention to local forests with deciduous trees like maple trees. They produce various shades of yellow, orange and red and are some of my favourite subjects to photograph at this time of year. I often return to the same woodlands several times during the season to capture the progression of the colour change. I visit these spots during the day, at night, and in various weather conditions: wind, fog, light rain or cloud covered. Each situation tells a different story.

When I walk in the forest, I look for patterns, shapes and texture. I look up, down, I lay on the ground, get on my knees, stand on boulders, as I look for a unique perspective on my subject. I like simple compositions. When I frame my subject, I make sure that they are no distracting elements and no lines leading the viewer’s eye out of the frame. Only then I press the shutter-release button.

I hope you find your own inspiration in the woods.

Triangle of exposure

Three elements constitute the triangle of exposure: aperture, shutter speed and ISO:

  • Aperture (f/N): light passing through the lens

  • Shutter speed: how long the shutter stays open

  • ISO: image sensor’s sensitivity to light

A small aperture (i.e. f/16) gives a deep depth of field and is usually used for landscape.

A fast shutter speed (i.e. 1/1000 sec) is used to freeze motion, like birds in flight or action shots. It also gives a shallow depth of field.

A slow shutter speed (i.e. 1/4 sec) is great for motion blur like milky water effect or rain streaks. Slow shutter speed is also used for night photography or poorly lit areas. In any case, a tripod is highly recommended for long exposures.

Before you adjust the aperture, shutter speed and ISO on your camera, you need to ask yourself: What effect do I wish to create? What is the mood of my image? What am I trying to tell?

Use the light meter in your camera to help you get the proper exposure. Light is measured in Exposure Value (EV) and typically displays in cameras from - 3 EV to + 3 EV

-3 _____ -2 _____ -1 _____ ∆ _____ 1 _____ 2 _____ 3

under exposed correct expo. over exposed

Once you’ve taken your shot, check the histogram and readjust your exposure if necessary.

Time to practice. Let me know how it goes!

Composition

Composition can be daunting. The good news is you can learn about it and get better with time and practice!

When I’m in the field, I always look for interesting shapes, patterns, lines and texture. Once I find a potential subject, I evaluate the intensity of the light, its direction and the need to use filters or not. I identify distracting elements, determine my focal point and move around to find my composition. I establish the depth of field, what should be in focus and which lens to use. Then I set up my tripod, which is essential in order to get sharp images. After taking my shot, I check the histogram and the clarity of my image on the back screen. From there I can adjust my composition accordingly. I find that seeing my image on the small screen tells me right away if the composition is good or not.

I believe that a poor image cannot be fixed with a software so I prefer to take the time to compose my images while I am in the field. I also prefer to spend my time outside rather than in front of my computer!

If you’re ready to learn how to get better images, sign up for an upcoming workshop or ask for a private workshop.

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Get off Auto, create your best images this summer!

Just added 3 workshops in English and 3 in French, all in the Comox Valley, and on Saturdays afternoon.

  • Learn how to use your camera on manual mode

  • Learn about exposure, depth of field, focus, and key elements of composition

  • Use technical and creative elements together to improve your images

  • Get more confident with your camera and your skills

  • Get more one-on-one time by being part of a small group of 5 participants

  • Take your newly acquired knowledge to your next trip

Book now!

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Graduated ND filters

Graduated neutral density filters, or graduated ND filters, are used by photographers to control very bright areas of a scene. A graduated filter is made of glass which is half dark and half clear with a soft or hard edge between the two parts. Graduated ND filters come in different density, typically from one to 10 f-stops.

Fix or hand-held the filter in front of your lens. Place the darker area over the part you wish to darken (i.e. bright sky). The clear part of the filter will keep its normal brightness. You’ll notice that once you have placed the filter in front of your lens, you’ll need to re-adjust the exposure. You can use a graduated filter to emphasize an area of your image by darkening a less important area, knowing that the viewer’s eyes are naturally attracted by lighter areas in a photograph.

Note: The transition between the dark and clear parts of a filter can create an unnatural line in your image so use the proper density filter.

What wildlife really does when humans are away...

First look around and make sure no-one else is here. And then roll in the moss!

River otter, Lontra canadensis

Nature Photography - Field Tips

It’s mating season and if you are into that kind of pictures then there are a few things to consider before heading out.

First you need to learn about your subject: mating call, mating ground, habitat, food source, droppings and even tracks. For bird photographers, there are several websites dedicated to bird songs. Start memorizing songs and calls, it will be easier for you to locate birds once you’re in the field.

Mating season on Vancouver Island, BC, Canada.

Mating season on Vancouver Island, BC, Canada.

Find your subject’s resting or nesting area and return there very early in the morning. Wait for them to wake up and start their day. Did you know that some birds tend to face east in the morning to warm up in the sun? Leave plenty of space for your subject and observe them while they pursue their activities. With a good zoom lens, you’ll be able to capture their routine. Be patient! You might need to stand still in inclement weather or in an awkward position for a very long period of time before you get a rewarding image.

I hope you enjoy the awakening of nature as much as I do!