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photography

New Photo Book: Vancouver Island Marmot, The World’s Rarest Marmot

On 21 December 2022, I will release my new photo book titled Vancouver Island Marmot, The World’s Rarest Marmot.

The Vancouver Island marmot is the most endangered mammal in Canada. Endemic to British Columbia, this marmot lives in the mountains on Vancouver Island.

In 2003, there were less than 30 marmots recorded in the wild. Thanks to the efforts of a team of dedicated experts, there are now 250 marmots roaming the mountains on the island. Through the captivating words of experts and stunning photographs, this book invites you to learn more about the Vancouver Island marmot, its plight, and the efforts that have been made to save this amazing species from extinction.

The book can only be ordered on this website.

Published in the Canadian magazine Nature Sauvage!

I am happy to announce that three of my photographs of elk / wapiti have been published in the latest edition of the Canadian magazine Nature Sauvage (available in French only). In that edition, which covers the elk / wapiti, you will find my photographs on pages 24 & 25 (full spread) and page 26 (2 images).

Nature Sauvage is a beautiful magazine where you can read articles on the fauna and flora mainly in Quebec.

If you wish to learn more about the elk on Vancouver Island, please watch my video on my YouTube channel.

The Roosevelt Elk on Vancouver Island, by award-winning nature photographer Catherine Babault

Learn more about the depth of field

A narrow depth of field isolates the subject. It makes it stand out against a blurred background because the viewer’s eye is naturally attracted by a sharp subject. For this close-up of a deer, I opted for a telephoto lens (focal length of 400 mm) and a large aperture of f/5.6. Note that a fast shutter speed also narrows the depth of field.

doe black-tailed deer, Odocoileus hemionus columbianus, Vancouver Island, British Columbia, Canada, rights-managed, © Catherine Babault

Canon EOS 5DS R - Lens Canon EF 100-400 mm f/4.505.6L IS II USM

f/5.6 for 1/200 second and 1600 ISO, focal length 400 mm

A wide depth of field put the subject into context. The entire picture is sharp so the viewer tends to look at the subject in relation to its surroundings. Here I wanted to show the old-growth tree stump in relation to the forest and mountains in the background. So I opted for a wide-angle lens (focal length of 70 mm) and a smaller aperture of f/11.

stump of an old-growth tree and mountains in the background, Vancouver Island, British Columbia, Canada, rights-managed, © Catherine Babault

Canon EOS 5DS R - Lens Canon EF 24-70 mm f/2.8L II USM

f/11 for 1/30 second and 400 ISO, focal length 70 mm

10% Discount on Tofino Photo Workshop, British Columbia

Until August 15, take advantage of a 10% discount on my Nature Photo Workshop in Tofino, British Columbia. Use promo code TOFINO2022 at checkout.

Places are limited so sign up early!

During the workshop, you will have the opportunity to photograph the amazing landscapes and charismatic wildlife around the Pacific Rim National Park Reserve, Ucluelet and Tofino.

Looking forward to showing you in person my favourite places for nature photography in this beautiful region of Vancouver Island!

2023 Photo Workshops and New Videos

I remember the cultural revolution when the first music videos appeared on the television in the 1980s. Today, everyone posts videos on TikTok, YouTube, etc. That's why I just produced and posted my first two videos on YouTube, which you can watch here. You will discover in particular rare photos of the Vancouver Island marmot, an endangered species.

Following an increase in requests from photographers in the United States and Europe, I have just added several photo workshops for 2023. There are still spaces available for the 2022 workshops. However the maximum number of participants per workshop is five, so don't wait too long to sign up.

''I took her workshop and it was very informative at the same time enjoyable. we discovered amazing part of island and shoot lots of pictures. Catherine is very professional and friendly. She opened up my eyes in different perspective of photography. She is also very patient and explain everything in detail. By end of our workshop I am more comfortable with camera settings, composition. long exposure and work on tripod 😃. I highly recommend her workshop for anyone who wants step in nature, landscape and wildlife photography.'' Mehrdad S.

I hope you take advantage of the long summer days to explore nature and photograph cute animals like this baby black-tailed deer that I briefly encountered earlier this week on Vancouver Island.

New workshops for this summer!

Summer is an ideal time to reconnect with nature and hone your skills as a nature photographer. Join me for a unique photo workshop in beautiful Strathcona Park, on Vancouver Island, British Columbia, Canada.

I have added three new workshops on weekends for your convenience:

Limited to 5 participants. Sign up today!

As seen on CBC Radio Canada...

Production and montage: Pierre Beaudoin, camera: Alexandre Lamic, CBC Radio-Canada.

Photo credit: Alexandre Lamic, Radio-Canada

Last autumn, I had the pleasure of being filmed by CBC Radio-Canada in the field on Vancouver Island. During the interview, I talk about species of special concern in the region and endangered species like the Vancouver Island marmot. I also mention the importance of ethic in nature photography to preserve the natural world; we can all do our part by keeping a safe distance from wildlife, avoiding disturbing their routines and not interfering with their habitat.

I invite you to watch the video here.

Abstract Images, Photo Tip and Spring Workshop

abstract photograph of the weathered facade of a building painted in yellow by Canadian photographer Catherine Babault

Hello Yellow - Abstract image

Travelling is part of my life so, after more than two years on Vancouver Island, it was time to get out.

I always plan my adventures carefully: places to visit, subjects to photograph, routes, etc., which is why I travelled to Astoria, Oregon. I wanted to photograph an old rusty wagon, abandoned boats and buildings marked by the passage of time. My preparation and the time spent on site for this project gave results beyond my expectations. You can order prints here.

 

As I often mention during my workshops, it is important to take your time in the field: find your subject, think about your composition, adjust your camera properly according to the expected results (framing, depth of field, shutter speed, etc.) You will achieve better results than taking lots of photos hoping that one will be good enough and then trying to correct its flaws in post-processing.

This spring, reconnect with nature and sign up for a photo adventure for yourself or with a loved one, on Vancouver Island, British Columbia! Spring is an ideal time to travel: it’s an amazing palette of colours, the snow melt swells streams to form beautiful cascades, and animals are busy caring for their offsprings: very photogenic subjects. I invite you to register for my workshop from May 27 to 29, places are limited to 5 people.

Photos abstraites, truc en photo et atelier du printemps

abstract photography of rust and peeling paint by Catherine Babault, Canadian photographer in British Columbia

Loop - Abstract Photography

Les voyages font partie de ma vie alors, après plus de deux ans sur place, il était temps de sortir de l’Île de Vancouver.

Je prépare toujours soigneusement mes aventures : lieux à visiter, sujets à photographier, trajets, etc., c’est pourquoi je me suis rendue à Astoria, en Oregon. Je souhaitais photographier un vieux wagon rouillé, des bateaux abandonnés et des bâtiments marqués par le passage du temps. Ma préparation et le temps consacré sur place pour ce projet ont donné des résultats au-delà de mes attentes. Vous pouvez en commander des tirages.

 

Comme je mentionne souvent au cours de mes ateliers, il est important de prendre son temps sur le terrain : trouver son sujet, penser à sa composition, bien réglé son appareil en fonction des résultats escomptés (cadrage, profondeur de champs, vitesse d’obturation, etc.) Cela permet d’obtenir de meilleurs résultats que de prendre plein de photos dans l’espoir que l’une d’entre elles sera assez bonne et ensuite tenter de corriger ses défauts en post-traitement.

Ce printemps, reconnectez-vous avec la nature et inscrivez-vous seul(e) ou avec un proche à une excursion photo sur l’Île de Vancouver, en Colombie-Britannique ! Le printemps est un temps idéal pour voyager : c’est une incroyable palette de couleurs, la fonte des neiges fait gonfler les cascades et les animaux sont occupés avec leurs petits : des sujets très photogéniques. Je vous invite à vous inscrire à mon atelier du 27 au 29 mai, les places sont limitées à 5 personnes.

Spot Distracting Elements

When I am on a photo excursion in the forest, the red-legged frog tends to appear when I least expect it. Their colour is an excellent form of camouflage. Often, it is their leap at my approach that catches my eye. During any chance encounter with an animal, it is sometimes difficult to predict their reaction: will they run away or stay put? That’s why my first reaction is to stop and anticipate their intentions. Then I started moving cautiously to avoid frightening them while I think about my composition and my distance from the animal.

red-legged frog, Vancouver Island, British Columbia, Canada. © Catherine Babault

Spot the distracting elements in this image.

I determine where the light is coming from and if there is a backlight. I identify elements such as a branch in front of the frog or any other shape or object that might distract the attention of the person looking at the photo. I move slowly and, once in position, I carefully deploy my tripod. A stressed frog will puff up its abdomen to deter predators. I therefore keep an eye on my subject to assess their level of comfort; if I notice that they are stressed, I leave even though I have not got a shot. The animal wellbeing is more important to me than my portfolio. Once the camera is mounted on the tripod, I adjust the settings and frame based on the intended result before releasing the shutter. Then I check the composition and histogram on the camera screen.

Because it is a chance encounter with a wild animal, everything happens very quickly and yet quietly so as not to stress it. Also I don’t overstay to avoid disturbing the animal in its routine.

Final result after I repositioned myself. Photo in full format.

Learn more about the triangle of exposure

Long exposure of a leaf caught in strong current.

Long exposure, wide depth of field: f/11 for 1/8 second, ISO200

The word photography comes from the ancient Greek: photos (light). Understanding and mastering exposure is therefore essential in the art of photography. The shutter speed, the (diaphragm) aperture and the ISO are the three elements, which form the triangle of exposure.

The shutter speed is determined by how long the shutter stays open. The sensor in digital cameras will capture more light when the shutter stays open longer. A slow shutter speed (for example 1/10 second) can be used in low-light environment or to create a motion blur (waterfalls, rain streaks) while a fast shutter speed (for example 1/1000 second) is used to freeze a movement like a bird in flight.

Fast exposure, short depth of field: f/5.6 for 1/800 second, ISO1250

The aperture (f/N) is short for diaphragm aperture. A small aperture like f/22 does not allow a lot of light to pass through the lens, however it provides a wide depth of field and is commonly used in landscape photography. A big aperture like f/5.6 lets more light pass through the lens and it also provides a narrow or short depth of field.

The ISO is related to the film sensitivity to light or image sensor’s sensitivity to light on digital cameras. On a sunny day, photographers typically use a low ISO (100) but in low-light situation (overcast day, night), they increase the ISO. Note that a high ISO (3,200 or more) will create noise in your image (grainy veil).

Nature Photography Workshops on Vancouver Island, British Columbia, in 2022

Whether you are already on Vancouver Island or planning to visit this year, here is a list of my photo workshops in 2022:

  • 29 January - Strathcona Park

  • 26 February - Strathcona Park

  • 21-23 March - Herring Spawn on Vancouver Island

  • 27-29 May - Spring on Vancouver Island

  • 19-23 September - Tofino (in French only)

  • 3-7 October - Tofino

  • 13-16 October - Fall Colours on Vancouver Island

  • Half-day photo workshop, Comox Valley (in English only) : 14 May, 11 June, 9 July, 13 August

  • Half-day photo workshop, Comox Valley (in French only) : 7 May, 4 June, 2 July, 6 August

If you prefer, you can request a private workshop that ranges from one day to several days. Book early as I am already starting to get requests for this summer.

I look forward to showing you my favourite places on Vancouver Island for nature photography and helping you improve your photography skills!

The making of my photo book Vancouver Island Wildlife

When I moved to Vancouver Island many years ago, I was fascinated by the diversity of fauna, flora and landscape. From the mountain meadows to the ocean, there are so many species to study and photograph. Some are permanent residents while others are seasonal visitors. All are very interesting. While exploring my new surroundings, I noticed the human impact on the environment and became aware of species at risk. With the help of a photo book, I hoped to show the beauty and diversity of Vancouver Island’s wildlife and raise awareness about our responsibility towards the conservation of its unique ecosystems.

For my book project, I researched many species to learn about their habitat, diet, biology, etc. I visited remote locations, sometimes by boat or floatplane. Often I got up in the middle of the night to be in the field by sunrise. I travelled long distances by vehicle and on foot. I walked in the snow, rain, fog and mud, sometimes I stepped on smelly things like rotten salmon on riverbanks. I prepared all my trips carefully because this is wilderness; I studied maps, topography, weather forecast, tide tables, sunrise and sunset times, and I maintained my vehicle in good condition, with an emergency kit and other essential items. This was a full-time project, working up to 60 hours a week, and it took me over a year to compile enough images for a photo book.

I edited thousands of images to select less than two hundred. My images had to be bold, uncluttered and well composed. I processed each one of them and converted them in CMYK for printing. Then I started to design the book and write the text. English is not my first language so I hired a professional translator in Victoria to proofread the text. I asked a professional photographer in my city to review my selection of images and give me honest feedback. At that point, I started to contact several printers in Canada before choosing one in Vancouver. I used offset printing instead of digital printing; although it is a lot more expensive, it is the best quality printing for a photo book. You could say that my book is 100% made in British Columbia from the subject to the printer. Some might think CAD$40 is expensive for a book but think about all the costs involved: camera equipment, travel expenses (gas, accommodation, meals), car maintenance, car insurance, business insurance, business licence, professional services (bush pilot, proofreader, printer, website…), and my time dedicated to this amazing project.

I feel very humble by the incredible success of this book. I won a Nautilus book award in the USA and received great feedback from the media. I am always touched to hear kind comments from readers in Canada, the USA and Europe. I hope that my book has achieved its goal: showing the beauty and fragility of our environment so that we are all aware of our collective responsibility towards its protection for future generations.

Order a copy

Photographing Roosevelt Elk

Some species are more active than others at dusk like the Roosevelt elk. It means that I have to get up in the middle of the night to photograph them because the herd that I became familiar with lives several hours away from my town.

I have been photographing this herd for the past few years and I always anticipate our potential encounters. Nothing is guaranteed with wildlife. They might not show up or I might have to quietly wait for hours.

I have a favourite spot to photograph this herd of elk from a safe distance and with a clear view. During a recent visit, as I was walking towards that spot, I noticed that the herd was already heading in that direction. I had to walk faster, yet quietly, without them noticing my presence. I got there first, set up my tripod and camera and waited a few minutes. I could hear them moving in the woods and stepping on dry sticks. When they came out of the woods, the cows were the first to go across the river surrounding the calves, most likely to protect them from potential predators. The last one to appear, closing the march, was the buck with its majestic set of antlers. I had only five minutes to photograph them before they disappeared again from my view and I cherished every minute.

Each time I see this herd, I feel very privileged to witness important milestones in their lives, to see the cows pregnant or suckling their calves, to observe yearlings playfully chasing each other or to see the buck proudly walking around its harem of a dozen cows. With the start of the rut, I look forward to getting more behavioural shots particularly of the buck.

Photographier les wapitis de Roosevelt

Certaines espèces sont plus actives que d’autres aux aurores comme le wapiti de Roosevelt. Ce qui veut dire que je dois me lever en plein milieu de la nuit pour aller les photographier car la harde que je connais bien vit à plusieurs heures de route de chez moi.

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Je photographie cette harde depuis les dernières années et j’anticipe toujours beaucoup nos rencontres potentielles. Rien n’est jamais donné avec la faune. Parfois ils ne se montrent pas ou bien je dois attendre tranquillement pendant des heures.

J’ai un lieu préféré pour photographier cette harde de wapiti à partir d’une distance respectueuse et d’un point de vue dégagé. Au cours d’une récente visite, alors que je marchais vers ce lieu, j’ai remarqué que la harde se rendait déjà dans cette direction. J’ai donc commencé à marcher plus vite, mais silencieusement, afin que les wapitis ne remarquent pas ma présence. Je suis arrivée la première, j’ai mis mon trépied en place, effectué les réglages sur mon appareil photo et j’ai attendu quelques minutes. Je pouvais les entendre se mouvoir dans la forêt et marcher sur des bouts de bois secs. Lorsqu’ils sont sortis de la forêt, les femelles ont traversé la rivière en premier tout en entourant les petits, probablement pour les protéger d’éventuels prédateurs. Le dernier à apparaître, pour fermer la marche, était le cerf avec ses bois majestueux. Je n’avais que cinq minutes pour les photographier avant qu’ils ne disparaissent à nouveau de ma vue et j’ai apprécié chaque minute.

À chaque fois que je vois cette harde, je me sens privilégiée d’être le témoin de moments importants dans leur vie, de voir les femelles enceintes ou allaiter leurs petits, d’observer les jeunes s’amuser à se pourchasser et de voir le cerf marcher fièrement autour de son harem d’une douzaine de femelles. Avec le début de la saison du rut, j’espère pouvoir être en mesure de photographier leur comportement notamment celui du cerf.

Photo Workshop in Tofino

If you fancy a trip to Tofino, I will be giving a workshop from 4 to 8 October (in English only). We will spend our days in the field either on the sandy beaches of the Pacific Rim or in the rainforest. The West Coast of Vancouver Island has so much to offer when it comes to stunning landscapes and wildlife. Places are limited to 5 persons. Sign up here!

Nature First

Ethics in Nature Photography

Most of us enjoy to be in nature for inspiration, sport activities or simply for our mental well-being. The great outdoors, the beauty of the landscapes and the chance encounters with the fauna allow us to find ourselves and take a breather. As a nature photographer, I much prefer to spend my time outdoors than in front of my computer. However, when I am in the field, I realize that I am in a world that does not belong to me. Here live plants and animals while I am only a visitor, and it is clear that each of our passages disturbs ecosystems, bubbles of life.

This is why I strive to reduce my impact on the environment by applying ethical principles in my profession as a photographer, even if it is sometimes to the detriment of the end result of my expeditions: what is essential for me is not to get the photo of the century but to respect nature. Patience and perseverance then become key factors in obtaining interesting photos, especially of the behaviour of wild animals in their natural environment.

B094014a.jpg

When I had the privilege of photographing an elk nursing three calves, it was she who established the distance between us and determined the length of the encounter. When she quietly returned to the forest, I could have followed her for a personal purpose of getting more photographs, but I thought about the stress that would cause them. My calm and respectful attitude towards wildlife allows me to experience intimate moments like this one where everyone observes and assesses each other before continuing their activities. Only patience and determination give great results, in addition to the satisfaction of respecting nature.

La nature avant tout

L’éthique dans la photographie naturaliste

La plupart d’entre nous aimons être dans la nature pour y trouver de l’inspiration, pratiquer un sport ou tout simplement pour notre bien-être mental. Le grand air, la beauté des paysages et les rencontres fortuites avec des animaux nous permettent de nous retrouver et de souffler un peu. En tant que photographe naturaliste, je préfère nettement passer mon temps à l’extérieur que devant mon ordinateur. Cependant, lorsque je suis sur le terrain, je suis consciente d’être dans un monde qui ne m’appartient pas. Ici vivent des plantes et des animaux alors que je ne suis qu’un visiteur et il est clair que chacun de nos passages dérange des écosystèmes, des bulles de vie.

C’est pourquoi, je m’efforce de réduire mon impact sur l’environnement en appliquant des principes d’éthique dans mon métier de photographe, même si c’est parfois au détriment du résultat final de mes expéditions : ce qui est primordial pour moi n’est pas d’obtenir la photo du siècle mais bien de respecter la nature. La patience et la persévérance deviennent alors des facteurs clefs pour obtenir des photos intéressantes, notamment du comportement des animaux sauvages dans leur milieu naturel.

B094014a.jpg

Lorsque j’ai eu le privilège de photographier une wapiti en train d’allaiter trois petits, c’est elle qui a établi la distance entre nous et qui a déterminé la durée de la rencontre. Lorsqu’elle est repartie tranquillement dans la forêt, j’aurai pu la suivre dans un but personnel, celui d’obtenir plus de photographies, mais j’ai pensé au stress que ça leur causerait. Mon attitude calme et respectueuse envers la faune me permet de vivre des moments intimes comme celui-ci où chacun s’observe, s’évalue avant de poursuivre ses activités. Seules la patience et la détermination donnent d’excellents résultats, en plus de la satisfaction de respecter la nature.

Television Interview - Entrevue à la télévision

On 4 July, I had the pleasure of talking to Geneviève Murchison, host of the television program Connexion on Radio-Canada, about my passion for nature photography. What a great way to start the summer!

In case you missed it, you can watch it here. It’s in French and starts at the 17:00 mark.

Le 4 juillet, j’ai eu le plaisir de parler avec Geneviève Murchison, animatrice du programme de télévision Connexion sur Radio-Canada, de ma passion pour la photographie de nature. Quelle superbe façon de commencer l’été!

Si vous avez manqué l’émission, vous pouvez la revoir ici. Ça commence à la 17e minute.

Nature Photo Workshops now open to Canadians across the country!

As of 1 July 2021, British Columbia is ready to welcome travellers from across Canada. For international visitors, the Canadian border remains closed for non-essential travel, including those who have been vaccinated.

Our nature photo workshops are given in the great outdoors only and we take all necessary precautions to ensure your safety during the pandemic. Masks are not required in the outdoors where the workshops are given, however we ask everyone attending the outdoor event to maintain a physical distance of 2 metres between one another, unless you reside together. We supply hand sanitation gel.

Please feel free to send us your questions and comments during this time of transition to normalcy.

Learn more about the nature photo workshops offered this summer.

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Government of British Columbia guidelines: https://www2.gov.bc.ca/gov/content/covid-19/info/restrictions